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<metadata xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:dc="http://purl.org/dc/elements/1.1/"><dc:title>ʹShamefulʹ sexualities in Slovenian crime fiction from moderna to the 21st century</dc:title><dc:creator>Mlačnik,	Primož	(Avtor)
	</dc:creator><dc:subject>shame</dc:subject><dc:subject>crime novels and sexuality</dc:subject><dc:subject>Zofka Kveder</dc:subject><dc:subject>Silverster Košutnik</dc:subject><dc:subject>Ljuba Prenner</dc:subject><dc:subject>Avgust Demšar</dc:subject><dc:subject>Tadej Golob</dc:subject><dc:description>The article is based a comparative analysis of the contradictory relationship 
between crime narrative conventions and sexuality, encompassing classic and 
hardboiled detective fiction, police procedurals, and thrillers, in relation to 
the Western politics of sexuality as conceptualised by Gayle Rubin. It argues 
that both the crime genre and Western politics of sexuality share a funda
mental purpose: the repression and disappearance of ‘shameful’ sexualities, 
including all forms of sexuality that are non-productive, non-heterosexual, 
non-monogamous, promiscuous, or that otherwise deviate from normative 
standards. Following this theoretical framework, the article undertakes a de
constructive analysis of selected representations of ‘shameful’ sexualities in 
Slovenian crime narratives from the early 20th century and in contemporary 
Slovenian crime novels from the 21st century. By examining the semantic and 
narrative functions of ‘shameful’ sexuality, the article reveals the continuity 
of motifs of shameful sexuality in Slovenian crime writing.</dc:description><dc:date>2026</dc:date><dc:date>2026-08-28 11:21:13</dc:date><dc:type>Znanstveno delo</dc:type><dc:identifier>99877</dc:identifier><dc:identifier>UDK: 82.0</dc:identifier><dc:identifier>COBISS_ID: 283621123</dc:identifier><dc:identifier>DOI: 10.18690/scn.19.1.273-290.2026</dc:identifier><dc:identifier>ISSN pri članku: 2385-8753</dc:identifier><dc:language>sl</dc:language></metadata>
