20.500.12556/DKUM-100132 Od literarnega dela do mladinske opere Lisičja luna Maše Ogrizek kot primer medmedialne priredbe From literature to children’s opera Fox moon by Maša Ogrizek as example of intermedial adaptation Prispevek obravnava fantastično pripoved Lisičja luna (2021) Maše Ogrizek in njeno operno priredbo (2025) kot primer medmedialnega prenosa sodobnega mladinskega literarnega dela v glasbeno-scenski medij. Raziskava temelji na kvalitativni primerjalni analizi literarne predloge, libreta in operne uprizoritve ter združuje literarnovedni, muzikološki in medmedialni pristop. Analiza se osredotoča na organizacijo prostora in časa, karakterizacijo likov, motivne sklope ter vlogo glasu, zvoka in glasbe. Ugotovitve kažejo, da opera ohranja temeljne teme literarne predloge, kot so odraščanje, izguba, identiteta in pripadnost, vendar jih preoblikuje v skladu z izraznimi možnostmi opernega medija. Posebej pomembno vlogo prevzamejo glas, zvočnost, zbor in tolkalna spremljava, ki soustvarjajo pomen in nadomeščajo del pripovednih funkcij literarnega besedila. Operna priredba se tako izkaže kot samostojna umetniška interpretacija, ki literarne motive prevaja v jezik zvoka, ritma in uprizoritve. The article discusses the fantasy narrative Fox Moon (2021) by Maša Ogrizek and its opera adaptation (2025) as an example of intermedial transfer of a contemporary youth literary work into a musical-stage medium. The research is based on a qualitative comparative analysis of the literary model, libretto and opera performance and combines a literary, musicological and intermedial approach. The analysis focuses on the organization of space and time, the characterization of characters, motif sets and the role of voice, sound and music. The article shows that the opera preserves the fundamental themes of the literary model, such as growing up, loss, identity and belonging, but transforms them in accordance with the expressive possibilities of the opera medium. Voice, sonority, choir and percussion accompaniment play a particularly important role, co-creating meaning and replacing part of the narrative functions of the literary text. The opera adaptation thus proves to be an independent artistic interpretation, translating literary motifs into the language of sound, rhythm and staging. fantazijska pripoved otroška opera medmedialnost medmedijska adaptacija fantasy narrative children’s opera intermediality intermedial adaptation true false true Univerzitetna založba Univerze v Mariboru Slovenski jezik Angleški jezik Znanstveno delo 2026-09-05 03:09:23 2026-09-07 10:01:13 2026-09-08 03:09:21 0000-00-00 00:00:00 2026 0 Maribor 0 Str. 325-347 0000-00-00 Zaloznikova Objavljeno NiDoloceno 0000-00-00 0000-00-00 2026-08-03 821.163.6-93.09:792.54-053.2 286442243 289950211 10.18690/um.pef.3.2026.17 RAZ_Vizjak_Puskar_Nika_2026.pdf RAZ_Vizjak_Puskar_Nika_2026.pdf 1 601A970CBF62B8A241B171A1D078CEBA b51bdf4cf379cac3e7f1c1b79687a6ed995eb9d24e23e0bc29768db09fc04f42 f4d061a5-aa92-11f1-ba3a-00155d0001be https://dk.um.si/Dokument.php?lang=slv&id=211726 https://press.um.si/index.php/ump/sl/catalog/book/1148/chapter/1444 1 6ea8e9d5-a8c6-11f1-b76c-00155d0001be https://dk.um.si/Dokument.php?lang=slv&id=211609 Pedagoška fakulteta Univerzitetna založba Univerze v Mariboru 0 0 0