20.500.12556/DKUM-13283 VIDEO UMETNOST NA SLOVENSKEM 1969-1990 VIDEO ART IN SLOVENIA 1969-1990 V diplomski nalogi raziskujem vpliv video tehnologije v slovenskem prostoru na razvoj nove umetniške zvrsti — video umetnosti. Vzporedno s predstavitvijo video del nekaterih najpomembnejših slovenskih avtorjev, ki so uveljavili video umetnost v Sloveniji, se predvsem osredotočam na različne načine produkcije videov in njihov družbeni kontekst. V sedemdesetih letih je tako produkcija med drugim vezana na nacionalni televizijski program, v osemdesetih pa se veja video umetnosti razdeli na institucionalno uveljavljeno video umetnost in na video kot pomemben del subkulturne scene. V vprašanju je tudi status samega video medija kot umetniškega izraznega sredstva na eni strani ter komercialnega produkcijskega sredstva na drugi. V teoretičnem delu ugotavljam, da se operiranje z novim medijem spreminja glede na družbeni kontekst, zaznamujeta pa ga tako tehnološki kot kulturni napredek. Raziskovanje logično zaključim v lastnem video izdelku z naslovom TRAINing, ki se ukvarja s hiazmom dveh različnih časov in perspektiv potujočega subjekta, kateri se vsakodnevno spopada z dialektiko notranjega in zunanjega sveta. Oseba, kot razmišljujoči subjekt in »objekt«, številka v družbenem mehanizmu. Hkrati je v vprašanju ciljna naravnanost človeka, ki ob vsakem doseženem koncu poti občuti tesnobo vprašljivosti bistva cilja. In my bachelor's degree thesis I am exploring the effect of video technology on the development of a new art form in Slovenia - video art. In line with the presentation of the most important Slovenian authors, responsible for the establishment of video art in Slovenia, and their video works, the main focus of the thesis is various types of production and their social context. The production in the 1970s was, inter alia, linked to the national television programme while video art in the 1980s was divided into institutionally established video art on the one hand and subcultural video on the other hand. When it comes to the status of the video medium we are also faced with the dilemma between an artistic means of expression and the commercial means of production. In the theoretical part of the thesis I establish that while handling of the new medium is changing according to the social context it is also marked with technological as well as cultural progress. I make a logical ending to my research with my own video product TRAINing that deals with the hiasm of two different times and perspectives of the travelling subject. This subject is daily confronted with the dialectics of the inner and the outer world. It is a person in the form of a thinking subject and an »object«, one number of the society's mechanism. At the same time the target attitude of a human, feeling anxious about the questionability of the target's essence at the end of each road, is being questioned. video video umetnost slovenski video alternativa film televizija video video art Slovenian video alternative film television true true false [M. Vrečar] Slovenski jezik Angleški jezik Diplomsko delo 2010-03-01 20:40:48 2010-03-19 13:00:35 2022-04-12 11:03:53 2022-04-21 03:08:47 2010 0 Maribor 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 73/76(043.2) 17486088 URN:SI:UM:DK:YQPILKHF UNI_Vrecar_Monika_2010.pdf UNI_Vrecar_Monika_2010.pdf 1 23925151490C8489C28164F64558E53A d0c11a847ec4c28c606a6e2dfceb89f8c83fe97a3c166dd4be3816ea6120a3db ddbce111-7c03-11eb-bb7a-00155d0001ca 20.500.12556/dkum/2e84d253-19dc-43f1-bb68-31e4b01cd9c1 https://dk.um.si/Dokument.php?lang=slv&id=13365 Pedagoška fakulteta 0 0 0