20.500.12556/DKUM-15758 FENOMEN ORANŽNE BARVE IN LIKOVNA ARTIKULACIJA THE PHENOMENON OF THE ORANGE COLOUR AND FINE ART ARTICULATION V zgodovini barvne teorije so si številni raziskovalci prizadevali, da bi barve razvrstili po sistemu, ki bi omogočal njihovo označevanje. Diplomskon delo z naslovom Fenomen oranžne barve in likovna artikulacija je poglobljeno delo o barvi, oranžni barvi in fenomenu medsebojnega delovanja in vplivanja dveh ali več barv. Diplomsko delo je razdeljeno na uvodni del, kjer predstavim svetlobo kot začetek vsega. Sledijo značilnosti oranžne barve, kjer pišem o fizikalnih, fizioloških, psiholoških učinkih oranžne barve. Nadaljujem z oranžno barvo v likovni teoriji, kakšne so lastnosti oranžne barve in kako se le-ta na različnih barvnih podlagah spreminja. Poleg analiziranja barv so navedeni tudi primeri reprodukcij različnih likovnih kompozicij. Umetniki, ki so uporabljali oranžno barvo, so nato obravnavani v novem poglavju. V zaključnem delu je predstavljena moja likovna izkušnja z oranžno barvo. Ustvarila sem sliko ob poslušanju skladbe skladatelja Alda Kumarja, Strastra in tako tudi poimenovala diptih, saj je njena barva oranžna. In the history of colour theory, many researchers have endeavoured to classify colour according to the system that would allow their identification. The thesis entitled The phenomenon of orange colour and fine art articulation is detailed work on colour, colour orange, and on the phenomenon of interaction with other colours in the visual arts. The thesis is divided into an introductory part, where light is presented as the beginning of everything. There follow the characteristics of the orange colour, where we learn about the physical, physiological and psychological effects of this colour. This is proceeded by the orange colour in art theory, with major a characteristics of the orange colour and how it changes on different colour bases. In addition to the analysis of the colours, examples of reproductions of various fine art compositions are presented. Artists, who have used the colour orange, are dealt with in a new chapter. In the final part, my experience with the orange colour is presented. I made a picture while listening to the music, Strastra, composed by Aldo Kumar, and named the diptych after it, because its colour is orange. likovna umetnost svetloba barva oranžna barva simbolika oranžne barve pigmenti. art light colour orange colour orange colour symbolism pigments. true true false [M. Štravs] Slovenski jezik Angleški jezik Diplomsko delo 2010-09-19 20:08:39 2010-10-11 12:17:28 2022-04-13 07:34:05 2023-12-19 03:30:33 2010 0 Maribor 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 73/76(043.2) 17882888 URN:SI:UM:DK:9ROPXJV0 UNI_Stravs_Martina_2010.pdf UNI_Stravs_Martina_2010.pdf 1 6555A2FB4F040DC1F033BAE28FA4925D 71c76d3bb8ad2bfd3616f43a7a1c4aee48cc62365a2a8784af3436438978a050 799ae466-7c04-11eb-bb7a-00155d0001ca 20.500.12556/dkum/6e5a6f24-706a-4a07-babf-0cab27d041a1 https://dk.um.si/Dokument.php?lang=slv&id=17477 Pedagoška fakulteta 0 0 0