20.500.12556/DKUM-17717 Problematika prevajanja kulturnospecifičnih prvin v angleškem filmu Ena, dva, tri The Problem of Translating Culture-specific Elements in the English Movie One, Two, Three Podnaslavljanje predstavlja pomembno področje prevajanja. Film Ena, dva, tri je igriva komedija o ameriškem poslovnežu v Zahodnem Berlinu po hladni vojni. Pomembno vlogo v filmu igra humor, ki temelji na kulturnih razlikah, jezik v filmu predstavlja orodje za doseganje humorja. Prevajalec je soočen s številnimi omejitvami, ki zadevajo podnaslavljanje, jezik in kulturo. Pomembna je razlika med govorjenim jezikom in hitrostjo branja gledalca, poleg tega mora prevajalec upoštevati tudi omejitve pri podnaslavljanju, kot sta omejeno število znakov v podnapisih in dolžina podnapisov. V diplomskem delu sem pojasnila razlike med prevajanjem običajnih besedil in filmskih dialogov, predstavila strategije podnaslavljanja ter spregovorila o omejitvah, s katerimi se srečujejo prevajalci pri podnaslavljanju. Osrednji del diplomskega dela je predstavljala analiza posameznih problemov v filmu Ena, dva, tri, prevajalske probleme sem obravnavala po naslednjih osnovnih kategorijah: kulturnospecifični izrazi, besedne figure, besedila pesmi ter pojav več jezikov v originalu in vprašanje prevajanja. Osredotočila sem se predvsem na prevajanje različnih besednih figur in skušala ugotoviti, kako so bili jezikovni problemi rešeni v slovenskem jeziku, in posledično, do kakšne mere je bil v prevodu ohranjen humor. The translation of audiovisual texts represents an important field of translation. The movie One, Two, Three is a fast-paced comedy about an American businessman in West Berlin after the Cold War. Humor plays an important part in the movie; it is based on cultural differences, and language is a tool for achieving various humorous effects. The translator of the movie is faced with several subtitling, linguistic and cultural restrictions. An important problem is the difference between spoken language and reading speed; there is the physical limitation of space, the duration of the subtitles and much more. In the analysis, a differentiation between translating plain text and translating film dialogue is made, subtitling strategies are discussed and various constraints within which a subtitler must perform are explained. The main body of discussion involves the analysis of translation problems from the movie One, Two, Three, which are divided into four main categories: culture-specific elements (intralinguistic and extralinguistic), figures of speech (metaphor, wordplay, zeugma, alliteration and allusion), song lyrics and multiple languages in the original script and the question of translation. Special focus is given to the translation of various figures of speech and to evaluating how the ensuing linguistic challenges were dealt with in Slovene translation and, consequently, to what extent the humorous effects of the original movie were preserved. podnaslavljanje kultura besedne figure subtitling culture figurative language true true false [M. Žabot] Slovenski jezik Angleški jezik Diplomsko delo 2011-03-12 22:49:11 2011-05-23 14:46:12 2022-04-13 09:44:36 2023-12-22 03:43:02 2011 0 Maribor 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 811.111(043.2) 18386952 URN:SI:UM:DK:LS3XOKKW UNI_Zabot_Martina_2011.pdf UNI_Zabot_Martina_2011.pdf 1 CDAC5E8CC8016D30B4F9E4383D27CF70 ee710be255b9745f716bf4573a986aded1f8690de10350a54ae3157d94f4ca07 f46fc1bb-7c04-11eb-bb7a-00155d0001ca 20.500.12556/dkum/2020821f-f533-4380-a45a-c806e0972854 https://dk.um.si/Dokument.php?lang=slv&id=20815 Filozofska fakulteta 0 0 0