20.500.12556/DKUM-18996 Vloga oblačil v izbranih besedilih Cankarjeve proze The significance of clothes and clothing in selected prose of Ivan Cankar V diplomskem delu sem preučevala vloge, ki jih imajo posamezni kosi moških oblačil v izbranih besedilih Cankarjeve proze. Diplomsko delo je zastavljeno tako, da se v prebranih besedilih osredotoča na pojavnost naslednjih oblačilnih kosov: klobuka, cilindra, kravate, fraka, suknje, surke, kamižole in čevljev. Nabor besedil, iz katerih sem črpala gradivo za analizo, ni predviden po posebnem sistemu; v analizo so namreč zajeta besedila iz vseh obdobij Cankarjevega ustvarjanja in besedila vseh zvrsti. Iskala sem najbolj reprezentativne pojavitve, ki največkrat in v najbolj sorodnih kontekstih delujejo s podobnimi konotacijami. Analiza je bila mogoča s predhodnim podrobnim preučevanjem družbenega vidika oblačilne kulture v kombinaciji z upoštevanjem kulturnega in zgodovinskega konteksta, v katerem so obravnavana besedila nastajala. Pri tem sem morala upoštevati razpoložljiva dognanja o tem, kakšen je bil Cankarjev odnos do oblačil. Temeljni del diplomske naloge se proučevanja vlog posameznih kosov torej loteva s pomočjo spoznanj iz širšega konteksta, s katerimi nato s pomočjo interakcijske teorije poizkuša poiskati, kje in kako se oblačilni kos pojavi kot izhodiščno območje metafore, kako iz motivov prerašča v simbole, kako oblačila ohranjajo svojo tradicionalno simboliko in kako jo znotraj teksta rekonstruirajo ali popolnoma spreminjajo. Posvečala sem se tudi oblačilnim videzom najbolj tipiziranih Cankarjevih moških literarnih likov. Opazovala sem, v katerih tematsko-motivnih krogih karakterizacija prerašča v ironijo, satiro, celo grotesko. Zaključki raziskave se niso strnili v logične vzorce, ki bi veljali za Cankarjev celoten opus. Raziskava nudi drugačen pogled na Cankarjevo prozo. Potrjuje dejstvo, da pisateljev svetovni nazor in njegov osebnostni ustroj odseva tudi prek predmetnega sveta (v primeru moje raziskave oblačilnih kosov), za katerega se na prvi pogled zdi, da v literarnem delu obstaja zgolj kot zvesta reprodukcija realnosti. Obravnavani oblačilni kosi imajo v izbranih besedilih raznovrstne vloge. Potrdile so se moje domneve o tem, da imajo oblačila v Cankarjevi prozi precej zgovorno vlogo. Moški oblačilni kosi se največkrat povezujejo in vežejo na motivno-tematske plasti, ki obravnavajo kulturno-umetniško dogajanje na Slovenskem na prehodu iz 19. v 20. stoletje, hkrati pa tudi zvesto dokumentirajo socialno sliko omenjenega obdobja. Raziskava svoje vrednosti ne zgradi na sistemskosti, ampak predvsem na osvetljevanju izbranih besedil z zornega kota oblačilne kulture oziroma oblačil, ki precej neposredno odslikavajo pisateljev odnos do sveta, ki ga je obdajal. My diploma thesis deals with the role of individual items of men's clothing in the selected works of Cankar's prose. The thesis focuses on the incidence of the following clothing items in the selected works: hat, top hat, tie, tailcoat, frock coat, surka (a jacket worn in the 19. century on Slavic territories), jacket and shoes. The collection of texts, from which I obtained materials for my analysis, is not assembled according to a systematic method – the analysis includes texts from all periods of Cankar's work and texts of all genres. I observed mainly the most representative incidences, which in most cases and in related contexts have similar connotations. The analysis was made possible only by the previous detailed study of the social aspect of clothing culture and by considering the cultural and historical context, in which the selected works have been written. At the same time I needed to take into account the available knowledge on Cankar's attitude towards clothing items. Thus, the main part of the diploma thesis presents the study of roles of individual clothing items using findings from a broader context. Based on these findings and in accordance with the interaction theory this part of the thesis tries to determine where and how the clothing item appears as the origin of a metaphor, how does a clothing item turn from a motif into a symbol, how do clothing items keep their traditional symbolism and how is symbolism reconstructed or completely altered within the context. I was also interested in themes and motifs, in which the characterization grows into irony, satire or even grotesque. The conclusions of my analysis cannot be summed into a logical pattern that would apply to Cankar's entire oeuvre. The analysis offers a different perspective on Cankar's prose – it confirms the fact that Cankar's world view and his personality is reflected also through the objective world (in this case through clothing items), which at first glance appears to exist in the literary work merely as a faithful reproduction of reality. The analysed clothing items have multiple roles in the selected texts – functioning denotatively as well as connotatively, the latter of course being the subject of interest. My assumptions that clothing in Cankar's prose often play quite an important role, have confirmed to be true. Men's clothing items are most often related to motifs and themes that address the cultural and artistic events on Slovenian territory at the turn of the 19th century, however, they also thoroughly document the social conditions of that period. The analysis does not focus on systematics, but more on the exposure of selected texts from the viewpoint of clothing culture and clothing items, that quite directly reflect the writer's attitude towards the world that surrounded him. Ivan Cankar Cankarjeva proza oblačilna kultura vloga oblačil v literaturi. Ivan Cankar Cankar's prose clothing culture the role of clothing items in literature true true false [A. Perović] Slovenski jezik Angleški jezik Diplomsko delo 2011-06-14 19:14:40 2011-09-05 12:58:41 2022-04-13 14:59:46 2023-12-24 03:31:54 2011 0 Maribor 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 821.163.6(043.2) 18563848 URN:SI:UM:DK:SA8P9KT8 UNI_Perovic_Ana_2011.pdf UNI_Perovic_Ana_2011.pdf 1 814203208F62F777AFE3965A561B2FE7 9a8d2ef71d2a6a448fb30622c194fcb7206881b1a7f3c7db26c5ba16e2d600b8 446a0fb3-7c05-11eb-bb7a-00155d0001ca 20.500.12556/dkum/73d770c9-315b-446c-bff3-1b7e2cff9d0e https://dk.um.si/Dokument.php?lang=slv&id=22777 Filozofska fakulteta 0 0 0