20.500.12556/DKUM-21892 NEBO V SLIKARSTVU THE SKY IN PAINTING Na začetku diplomske naloge z naslovo"Nebo v slikarstvu" izvemo nekaj podatkov o fizikalnih lastnostih neba in nastajanju oblakov po klasifikaciji. Kasneje prehaja tema snovi na likovni izraz v katerem pojasnjuje na kakšen način so si umetniki predstavljali nebo, ga vključevali kot osnovo nosilca sporočila, ki se izrazi v kompoziciji slike. Skozi kratek zgodovinski opis in primere sledimo razvoju in vključevanju neba na različne načine pogleda umetnikov, glede na posamezna obdobja. V nadaljevanju snovi se naloga dotakne perspektive. Nasploh, pa daje poudarek na atmosferski ali zračni perspektivi na katero se pogosto naslanjajo umetniki v svojih likovnih delih. Osrednji del naloge zapolnjujeta slikarja, Ivan Konstantinovich Aivazovskiy in Joseph Mallord William Turner, ki sta najpogosteje vključevala nebo v svoja dela ali ga postavljala kot glavno osnovo za prikaz prostora, zračnosti in globine v sliki. Od slovenskih predstavnikov je vključen še Štefan Planinc, ki ima nebo po večini za osnovo svojega lastnega fantazijskega sveta, ter ga pogosto odpira v velik neskončen prostor. Kot praktičen del diplomske naloge, so vključena moja lastna dela in njihova analiza. The beginning of the final thesis titled »The sky in painting« reveals some data regarding to the physical characteristics of the sky and formation of clouds after the classification. The following data represent artistic expression and explain the way how artists imagined the sky, included it as a base of message holder, which is expressed in the paintings´ composition. Development and inclusion of the sky various ways of artits´ viewpoints, regarding to different period, are represented by brief historical description and examples Furthermore the thesis touches on perspective. In general it puts emphasis on atmospheric or aerial perspective to which reference is made by artists in their artistic works. The main part of thesis is focused on two painters Ivan Konstantinovich Aivazovskiy and Joseph Mallord William Turner, who most often included the sky in their paintings as base for presentation of space, aeration and deepnes in painting. Štefan Planinc, as Slovene representative, is also presented. He mainly uses the sky a base of its own fantasy wold and opens it into infinite space.My own works and their analises sre included as practical part of the final thesis. Likovna umetnost barva barvni kontrasti termika perspektiva atmosferska ali zračna perspektiva kompozicija fine art colour colour contrast thermal perspective atmospheric or aerial perspective composition true true false [A. Gregorič] Slovenski jezik Angleški jezik Diplomsko delo 2012-01-17 15:42:29 2012-02-28 08:57:11 2022-04-14 10:59:04 2023-12-29 03:18:00 2012 0 Maribor 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 73/76(043.2) 18970376 URN:SI:UM:DK:6ZC6ZXAQ UNI_Gregoric_Aleksander_2012.pdf UNI_Gregoric_Aleksander_2012.pdf 1 63ADD58C54F5E36B0AC07B2BB21E313F 3d4d66af36dba25690f38704629e68614a805001faedf5ad894542a18d65cec2 f76ed1cc-7c05-11eb-bb7a-00155d0001ca 20.500.12556/dkum/1c5a40d2-0fd2-487e-96e2-df8e46ef1483 https://dk.um.si/Dokument.php?lang=slv&id=27991 Pedagoška fakulteta 0 0 0