20.500.12556/DKUM-37637 FENOMEN RAZMERIJ V LIKOVNEM IZRAZU IN STRUKTURIRANOST SLIKOVNE POVRŠINE THE PHENOMENON OF PROPORTIONS IN ARTISTIC EXPRESSION AND STRUCTURE OF THE PAINTING SURFACE Osrednja tema diplomske naloge je bila raziskava prostorskih razmerij, ki so bila skozi zgodovino prisotna na različnih področjih umetniškega delovanja in so bila predmet mnogih raziskav ter poskusov generalizacije. Pregled preučevanj in uporabe proporcionalnih teorij skozi zgodovinska obdobja je pokazal, da je razumevanje in uporaba razmerij v tesni povezavi z določenim časovnim obdobjem. Izpostavljen je bil zlati rez kot univerzalno razmerje v naravi in umetnosti. Obravnavan je bil vpliv razmerij na kompozicijo, vsebino umetniškega dela in vizualno zaznavanje. S tega stališča je bila pozornost usmerjena tudi na gestalt psihologijo. Izpostavljena umetniška zvrst je bilo slikarstvo, pri čemer je bil poudarek predvsem na samem formatu in strukturni razdelitvi notranje slikovne površine. Obravnavani so bili različni načini členitve formata, ki lahko služijo kot smernice pri komponiranju. Bodisi zavestno določena ali izbrana po občutku, so v likovnem izrazu razmerja vedno intencionalna in niso slučajna, kar se je utemeljilo tudi skozi praktični del. Zmeraj je v ospredju celota, ki je rezultat ustvarjalnega izraza, subjektivnosti in sposobnosti usklajevanja vseh sestavnih delov umetniškega dela, od prostorskih odnosov med likovnimi elementi, delujočih napetosti, kompozicijskih zakonitosti do vsebine oz. sporočila, ki ga želi likovno delo posredovati. The purpose of this thesis was to research the spatial proportions that have been present in all fields of art throughout history. These proportions have often been subject to research and attempts of generalisation. The study of researches and uses of proportional theories through historic periods has shown that the understanding and the use of proportions are closely connected to the certain historic period. The golden section has always been exposed as a universal proportion in nature and art. The influence of proportions on a composition, on the contents of the work of art as well as on the visual perception, was also examined. From this point of view special attention was also paid to gestalt psychology. The exposed form of art was painting, the highlights were on its format and the structure of the painted surface. Different ways of format structuring that can serve as guidelines for composing were discussed. Proportions, whether consciously or intuitively chosen, are always intentional in an artistic expression and are not accidental, which was proven through the practical part as well. The integrity of a painting is always in the foreground. It is a result of the artistic expression, subjectivity and the ability to harmonize all the consisting parts of a work of art, including spatial relationships between elements of fine arts, tensions and rules of composition, regarding the contents and the message of a work of art. razmerje proporc zlati rez antropometrični sistem format notranja struktura formata gestalt ratio proportion golden section anthropometric system format internal format structure gestalt true true false [I. Pečnik] Slovenski jezik Angleški jezik Diplomsko delo 2012-09-05 18:45:02 2012-10-04 15:42:41 2022-04-24 22:00:18 2021-04-18 03:28:44 2012 0 Maribor 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 7.01(043.2) 19390216 URN:SI:UM:DK:AFUUKMCW UNI_Pecnik_Iva_2012.pdf UNI_Pecnik_Iva_2012.pdf 1 38A398F59BE4B6477F2FA2D7E09E8AC0 0524cd9f1b8f4c526f0dd178a7d883b7792f2b3736cdf1b5467b6145cf39058b 4ae27a47-7c08-11eb-bb7a-00155d0001ca 20.500.12556/dkum/64d26af3-f7c5-461b-a8a5-e6b1d05cbe7c https://dk.um.si/Dokument.php?lang=slv&id=49709 Pedagoška fakulteta 0 0 0