20.500.12556/DKUM-39931 JEZIKOVNA USTREZNOST TURBOFOLK BESEDIL LINGUISTIC APPROPRIATENESS OF TURBO-FOLK TEXTS Cilj diplomske naloge je ugotoviti, ali so obravnavana turbofolk besedila jezikovno ustrezna, in sicer glede na sedem kriterijev besedilnosti: kohezijo, koherenco, namernost, sprejemljivost, informacijskost, situacijskost, medbesedilnost. Besedila sem preučevala in med seboj primerjala na nivoju mikro- in makrostrukture, pri čemer me je zanimala distribucija leksikalnih in skladenjskih enot, tematski izbor, komunikativno-pragmatične besedilne funkcije. S sondažno tehniko sem se osredotočila na dvajset izvirnih turbofolk besedil, kot protiutež teh besedil sem vzela še primer rokovskega besedila skupine Dan D »Voda«. Empirični podatki potrjujejo, da pri obravnavanih turbofolk besedilih obstaja tipična tematska struktura, ki se odraža tudi z zunanjo zgradbo. V izbranih besedilih je izbor tematike preprost, teme so vsakdanje, naslovniku znane, prisotno je močno razodevanje sporočevalca. Preučevana besedila so sestavljena iz 2–5 kitic in zmeraj zaokrožena z refrenom, ki ponavadi izraža glavno misel. Besedila so klišejska. Vzorci teh besedil so namerno zelo preprosti, da si jih poslušalec zelo hitro zapomni. Besedila so sporočilno in oblikovno nezahtevna (večstavčne, a nezapletene povedi, kratke kitice, ponavljanje vzorcev), izjemno jasna, gre za poenostavljanje (simplicizem). V obravnavanih besedilih prevladuje deskriptivni tematski razvoj (orisovanje, slog dinamične narave). Besedila so dinamična, saj vsebujejo veliko procesualne leksike, tj. glagolov, ki se ponavljajo. Pogosta je raba velelnika, avtor se želi z njimi neposredno približati naslovniku in vplivati na njegovo ravnanje. Besedila so zvrstno zaznamovana (izrazita narečna oz. pokrajinska obarvanost). Glede na jezikovna sredstva so videti približana govornemu oz. pogovornemu tipu besedila. V besedilih je močno prisotna kvalifikacijska in personalna deiktika. Obravnavana turbofolk besedila so peta besedila z glasbeno spremljavo, zato so jezikovna sredstva, zgradbena in oblikovna sredstva prirejena tako, da je uresničevan princip glasbenega ritma. The aim of this diploma work is to establish if the issued turbo-folk texts are linguistically appropriate, based on the seven criteria of textuality: cohesion, coherence, intentionality, acceptability, information, situationality, intertextuality. The texts have been studied and compared to each other at the level of micro- and macro structures, where I was interested in the distribution of lexical and syntactic units, theme selection, and communicative-pragmatic text functions. With the sounding technique I focused on the twenty turbo-folk original texts, as a counterweight to these texts I took an example of a music group Dan D’s rock-text “Voda”. The empirical data confirms that there is a typical thematic structure in the discussed turbo-folk texts, which is also reflected by the external structure. Theme selection in chosen texts is simple, themes are everyday, known to the listener, the author reveals himself strongly. Studied texts consist of 2–5 strophes and are always rounded with a refrain, which usually expresses the main idea. The texts are cliché. Samples of these texts are intentionally very simple, so that the listener can easily remember them. The texts are informative and unpretentious in form (longer, but uncomplicated sentences, short strophes, repeating samples), very clear, simplified. Descriptive thematic development prevails in the discussed texts (description, style of dynamic nature). The texts are dynamic; they contain a lot of processual lexic (repeating verbs). The use of imperative is very common, the author wants to approach the listener and influence his actions directly. The texts are genre characterized (expressive dialectal and provincial presence). When taking into account linguistic instruments the texts look similar to speaking or colloquial type of texts. The texts have a strong presence of qualifying and personal deictic. The studied turbo-folk texts are sung texts with musical accompaniment, therefore the linguistic, structural and formative instruments are arranged in such way that the principle of musical rhythm is brought into effect. Turbofolk besedila jezikovna ustreznost kriteriji besedilnosti distribucija leksikalnih in skladenjskih enot tematski izbor simplicizem zvrstna zaznamovanost kvalifikacijska deiktika. Turbo-folk texts linguistic appropriateness textuality criteria distribution of lexical and syntactic units theme selection simplicity genre stigmatization qualifying deictic. true true false [K. Vidali] Slovenski jezik Angleški jezik Diplomsko delo 2013-03-19 09:12:06 2013-04-19 11:58:57 2022-05-12 23:19:07 2024-01-01 03:28:44 2013 0 Slovenska Bistrica 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 811.163.6'42(043.2) 19824136 URN:SI:UM:DK:TB8D0HVZ UNI_Vidali_Ksenija_2013.pdf UNI_Vidali_Ksenija_2013.pdf 1 96368346CE1FCBB62C671E02087A3794 33f49a1878cf94a8f8deb4ecb24146961790502b6792c80a7ca4ad9a43a02808 3cbf0cd5-7c09-11eb-bb7a-00155d0001ca 20.500.12556/dkum/4ae011ea-8a31-448a-b280-10f3b84010e2 https://dk.um.si/Dokument.php?lang=slv&id=54333 Filozofska fakulteta 0 0 0