20.500.12556/DKUM-42908 ZNAČILNOSTI PSIHOLOŠKEGA PORTRETA FEATURES OF A PSYCHOLOGICAL PORTRAIT Diplomsko delo Značilnosti psihološkega portreta se ukvarja s portretom kot skupkom portretirančevih lastnosti kot tudi z značajem portretista. Z njunimi združenimi pogledi, izkušnjami in značilnostmi vplivata na razvoj portretnega slikarstva v smeri vedno bolj poglobljene psihološke analize. Delo je razdeljeno na teoretični in praktični del. Na začetku naloge so predstavljene okoliščine, ki so portretu omogočale, da se osvobodi svoje socialne funkcije, in razložena vloga portreta. V nadaljevanju se naloga osredotoči na pomen in razumevanje lastne podobe ter vlogo portreta pri poveličevanju ali zanikanju te vloge. Pri izražanju notranjega stanja si umetniki pomagajo z uporabo čustveno nabitih barv, dinamičnih kompozicij, simbolike ter z osredotočanjem na portretirance kot subjekte in ne s sledenjem problematičnega koncepta mimezisa. Proti koncu naloge so predstavljeni tudi pogledi na moderni portret in njegovo vlogo v današnji družbi, obremenjeni s koncepti. Predstavljeni so vsi prisotni v procesu nastajanja portreta: portretist, portretiranec ter gledalec, ki s »konzumiranjem« oz. doživljanjem umetnine to zaključi v celoto. Sledi predstavitev treh dobro znanih portretistov 20. stoletja in njihovih pogledov na analiziranje in prikazovanje notranjega stanja upodobljenih. V zaključku so predstavljena lastna slikarska dela in postopek ustvarjanja. The thesis Features of a psychological portrait deals with the portrait as a bundle of the portrayed person and the character of the portraitist. With their joint views, experience and characteristics they influence the development of portrait painting towards an increasingly deep psychological analysis. The thesis is divided into the theoretical and practical part. At the beginning the thesis presents circumstances, which enabled the portrait to get rid of the social function, and explains the role of the portrait. In continuation the thesis focuses on the importance and understanding of the own figure and the role of the portrait in the glorification or denial of this role. In expressing the inner state artist help themselves with the use of emotionally charged paints, dynamic compositions, symbolism and with focusing on the portrayed persons as subjects and not by following the problematic concept of the mimesis. Towards the end the thesis also presents views on the modern portrait and its role in today’s society, burdened with concepts. Also presented are all present in the process of the portrait creation: the portraitist, the portrayed person and the viewer, who with “consumption” or experiencing the art work completes this into a whole. This is followed by the presentation of three well known portraitists of the 20th century and their view on analyzing and showing the inner stayed of the depicted. The conclusion presents own paintings and the creation procedure. psihološki portret notranje stanje barva mimezis odnos med portretistom in portretirancem psychological portrait inner state paint mimesis relationship between the portraitist and the portrayed person true true false [M. Čadej] Slovenski jezik Angleški jezik Diplomsko delo 2013-10-29 21:58:40 2014-01-08 12:32:16 2022-05-08 03:06:53 2021-04-27 03:40:59 2013 0 Maribor 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 75.041.5(043.2) 20251656 URN:SI:UM:DK:HYPRCQJT UNI_Cadej_Matic_2013.pdf UNI_Cadej_Matic_2013.pdf 1 F0AF7A73A7321924DDDB4FCC6E0D4117 2db6915dacb746fadf5b08725d4f97b0502e3cadbb014739c318041f88c3fc05 833f21db-7c0a-11eb-bb7a-00155d0001ca https://dk.um.si/Dokument.php?lang=slv&id=60365 Pedagoška fakulteta 0 0 0