20.500.12556/DKUM-45039 UMETNOST V KOVČKU ART IN A SUITCASE Diplomsko delo z naslovom Umetnost v kovčku je nastalo z namenom raziskati idejo prenosljivosti in mobilnosti umetniškega dela ter tudi praktično preizkusiti in predstaviti kovček kot nizkocenovni objekt razstave. Likovna umetnost ni odporna na finančno in gospodarsko krizo. Zaradi nepovezanosti s tujino, neizoblikovanega trga, premalo vložene kulturne ter politične volje je v času krize to področje toliko bolj zapostavljeno. Naštetih je le par posledic, ki se v Sloveniji pojavljajo zaradi slabše razvitega umetniškega sistema ter vsesplošne krize v primerjavi z bogato tradicijo Zahoda. Marsikatero umetniško ustvarjanje do zdaj ni bilo mogoče brez kompromisov, danes pa so tisti s statusom samostojnih kulturnih ustvarjalcev še posebno ranljivi in jih lahko smatramo kot krhko družbeno skupino. (Puncer, 2012) Njihovi umetniški načrti so vedno bolj povezani z različnimi načini preživetja. Na področju razstavne dejavnosti oz. likovne produkcije je skromna sponzorska podpora, javna sredstva pa so omejena. Zaradi tega je v zadnjih letih beseda mobilnost postala pomemben izraz v kulturni politiki in politični ekonomiji. Z njo namreč sodobne institucije zagovarjajo pomen svojega obstoja. Simbol mobilnosti pa je bil že od nekdaj kovček, s katerim lahko prispevamo k razmisleku o preoblikovanju institucionalnega delovanja, preseganju brezosebnih tehnik in ga predvsem izpostavimo kot nizkocenovni objekt razstave. The main purpose of my diploma paper with the title Art in a suitcase is to explore the idea of transportability and mobility of a work of art and to practically test and present a suitcase as a low-cost exhibition site. Fine art is not resistant to financial and economic crisis. Due to lack of connection with foreign countries, undeveloped market, lack of cultural and political willpower, in times of crisis this area is even more neglected. Here are just a few of the consequences in Slovenia due to less developed art system and general crisis in comparison with the rich tradition of the West. A great deal of artistic creation has not been possible so far without compromise, but today people with the status of self-employed professionals in culture are particularly vulnerable and can be considered as a fragile social group. Their artistic plans are increasingly associated with different ways of existence. In the field of exhibitions and artistic production the sponsorship support is modest and public funds are limited. For this reason, in recent years the word “mobility” has become an important expression of cultural policy and political economy. Namely, modern institutions use it as the meaning of their existence. A suitcase has always been the symbol of mobility with which we can contribute to the reflection on modification of institutional operation, outshining impersonal techniques and above all expose it as a low-cost exhibition site. prenosljivost mobilnost kovček nizkocenovna razstava sodobna institucija umetnosti ekonomija kurator transportability mobility suitcase low-cost exhibition contemporary institution economy curator true true false [S. Žičkar] Slovenski jezik Angleški jezik Diplomsko delo 2014-07-25 19:53:21 2014-10-08 13:42:30 2022-05-14 03:07:11 2021-05-02 03:08:27 2014 0 Maribor 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 7.05(043.2) 20864264 URN:SI:UM:DK:AGBQO0IH UNI_Zickar_Sara_2014.pdf UNI_Zickar_Sara_2014.pdf 1 951628FFF59DA59DC9189D91B4C36F07 6e7f3cf24b9154af5a7dc6c16934222042b47d7d511aa90fff44ae9adb92d994 00776535-7c0b-11eb-bb7a-00155d0001ca https://dk.um.si/Dokument.php?lang=slv&id=65015 Pedagoška fakulteta 0 0 0