20.500.12556/DKUM-45780 VPLIV ZNANOSTI NA PODOBE TELESA V SODOBNI LIKOVNI UMETNOSTI THE IMACT OF SCIENCE ON THE IMAGES OF THE BODY IN CONTEMPARARY FINE ARTS Namen diplomske naloge je bil predstaviti koncept umetniškega in znanstvenega ter zgodovino povezovanja umetnosti in znanosti s poudarkom na podobah telesa v likovni umetnosti, ki v svoje delovanje vključuje znanost, prav tako pa je opredeljen tudi koncept samega telesa. Bistven del naloge se osredotoča na čas sodobne umetnosti, v okviru katere so predstavljeni tudi primeri tujih in slovenskih umetnikov, ki ustvarjajo s pomočjo znanosti in tehnologije in ki se v svoji umetnosti ukvarjajo s podobami telesa. Cilj diplomskega dela je bil ugotoviti, kakšne možnosti ponujata znanost in tehnologija pri upodabljanju telesa ter kaj sporoča takšno povezovanje umetnosti z znanostjo. Analiza literature ter primerjava različnih perspektiv sta privedli do ugotovitve, da tehnologija omogoča razvoj telesa v takšni razsežnost, da je težko predvideti, kakšen bo končni produkt znanstveno-umetniškega ustvarjanja ter kaj bo nekoč smatrano kot idealno telo. Uporabljenih je bilo več raziskovalnih metod, med njimi deskriptivna, komparativna, zgodovinska, spraševalna metoda ter metoda analize in sinteze. Uporabljeni viri in literatura zajemajo knjige oziroma monografije, strokovne in nestrokovne časopisne članke, leksikone, učbenike, intervju ter internetne vire. The purpose of this graduation thesis was to introduce the concepts of the artistic and the scientific, and the history of intersections of art and science, with the emphasis on the images of the body in fine arts that incorporate science into their artistic activities. The thesis also contains a definition of the concept of the body in western tradition and modern philosophy and aesthetics. The key part of the thesis focuses on contemporary art, and within its context it shows the examples of foreign and Slovene artists who use science and technology in dealing with the images of the body. The goal of the thesis was to learn about the possibilities of portraying the body with the help of science and technology, as well as to explain the message of such intersections of art and science. The thesis used several research methods including descriptive, comparative, historical, analytical and interrogation method. Works cited include monographs, articles from academic and non-academic journals, glossaries, school textbooks, an interview and electronic sources. The analysis of literature and comparison of different perspectives have shown that technology enables the body to develope to such extent and in such manner that it makes it hard to predict what the final result of the artistic and scientific production will be like and what the ideal body figure might be in the future. umetnost znanost podobe telesa znanstvena revolucija Vanitas Noordung 1995–2045 37°C art science images of the body scientific revolution Vanitas Noordung 1995–2045 37°C true true false [T. Ritlop] Slovenski jezik Angleški jezik Diplomsko delo 2014-09-03 15:28:52 2014-10-09 13:52:01 2022-05-16 03:06:31 2021-05-03 03:34:21 2014 0 Maribor 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 7.036/.038(043.2) 20826632 URN:SI:UM:DK:TKI8QKJD UNI_Ritlop_Tina_2014.pdf UNI_Ritlop_Tina_2014.pdf 1 090A1B4EC53D7F9829AF4A4BE382C40A f1786c0f0f3b863547e97610be3a72ffc75a80669f38740d935ba476cbf7ee23 2c480400-7c0b-11eb-bb7a-00155d0001ca https://dk.um.si/Dokument.php?lang=slv&id=66667 Filozofska fakulteta 0 0 0