20.500.12556/DKUM-48077 MAGIČNE PODOBE OSAMLJENIH BITIJ V SLIKARSTVU GABRIJELA STUPICE MAGICAL IMAGES OF LONESOME BEINGS IN GABRIJEL STUPICA'S PAINTINGS V diplomski nalogi z naslovom Magične podobe osamljenih bitij v slikarstvu Gabrijela Stupice sem obravnavala slikarstvo Gabrijela Stupice in motive njegovih umetniških del povezala z motivi, ki jih v svojih slikarskih delih obravnavam tudi sama. Osrednja tema diplomske naloge je eksistencialistična figuralika oziroma izražanje eksistencialnih vsebin v likovnem jeziku modernizma. Namen naloge je predstaviti značilnosti eksistencialistične figuralike, ugotoviti poglavitne motive v njegovem slikarstvu z osredotočanjem na modernistično slikarstvo in predstaviti razvoj likovnega jezika skozi umetnikova ustvarjalna obdobja. Z opazovanjem in opisovanjem likovnega jezika v različnih obdobjih umetnikovega ustvarjanja in z opazovanjem lastnega likovnega jezika ob izražanju eksistencialnih vsebin, predvsem osamljenosti in tesnobe, sem poskušala najti najznačilnejša likovna izrazna sredstva. Stupica, ki izhaja iz slikarske tradicije realizma, sredi petdesetih let preide k novemu likovnemu izrazu, kjer opusti zapovedi tradicionalnega slikarstva, kot sta mimezis in perspektiva. Njegovo modernistično slikarstvo se stopnjuje vse do monokromnih belih slik, kjer postane slika informelsko groba površina z brutalno poenostavljenim likom deklice ali neveste. V tradicionalnem slikarstvu so njegovi glavni motivi portret, avtoportret in tihožitje, v modernizmu pa avtoportret v ateljeju, deklica pri mizi z igračami ter žena s tančicami oziroma nevesta. Njegovo eksistencialistično slikarstvo je vsebinsko vase zaprto in nam ne ponuja rešitve ali katarze. Podobe postanejo nestvarna bitja, ki bivajo v praznini brezčasja, eksistencialno osamljena. The thesis Magical Images of Lonesome Beings in Gabrijel Stupica's paintings discusses Stupica’s art. Herein, his artistic motifs are also related to the motifs of my own painting. The thesis focuses on existentialist figuration, respectively on expressing existentialist themes through the visual art language of modernism. The purpose of the thesis is to present the development of the artist's visual language through his various creative periods, to establish the main motifs of his painting and to present the characteristics of existential figuration. Observing and describing the artistic language in the different periods of Stupica’s artistic creating and observing my own artistic language expressing existentialist themes (above all loneliness and anxiety), I aimed to find or detect various artistic means of expression. Stupica's artistic origins derive from the realist painting tradition, however, in the middle of the 1950's he moved to a new artistic system abandoning the standard practice of traditional painting, such as mimesis and perspective. His modernist painting style developed as far as to monochrome white paintings, where a painting becomes a rough surface in the style of informel art with a brutally simplified image of a girl or a bride. The main motifs of his traditional painting are portrait, self-portrait and still life, while the main motifs of his modernist painting are self-portrait in the atelier, girl at the table with toys and also girl and woman with a veil (bride). His existentialist painting is introvert in terms of its content and it does not offer a solution or catharsis. The images become magical creatures who live in the empty timelessness and are existentially isolated. Gabrijel Stupica slikarstvo modernizma eksistencialistična figuralika art brut likovni jezik umetnika likovni motivi eksistencialne likovne vsebine. Gabrijel Stupica modernist painting existential figuration art brut Stupica’s artistic language art motives existentialist themes. true true false [B. Miklič] Slovenski jezik Angleški jezik Diplomsko delo 2015-05-19 12:28:39 2015-07-21 15:39:18 2022-05-23 03:07:48 2021-05-08 03:29:52 2015 0 Maribor 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 75.036(497.4)(043.2) 21493256 URN:SI:UM:DK:YZT5BFXT UN_Miklic_Barbara_2015.pdf UN_Miklic_Barbara_2015.pdf 1 9F6241AB966EF67E240DB681F44192F0 a1869cf99fb99d070d36888e519eadb732c1029b77a94cb64d070e52ee8487c4 dda271c9-7c07-11eb-bb7a-00155d0001ca https://dk.um.si/Dokument.php?lang=slv&id=71847 Pedagoška fakulteta 0 0 0