20.500.12556/DKUM-54071 TATU KOT ORNAMENT TATTOO AS ORNAMENT Ne glede na stopnjo civiliziranosti je malo takih ljudstev, pri katerih bi bila želja po ustvarjanju ornamentike povsem odsotna. »Ustvarjanje« je torej človekovo prvinsko hotenje. K tovrstnim prizadevanjem lahko najbrž pripišemo tudi tetoviranje obraza in telesa, k čemur so se kot prva zatekala barbarska ljudstva. Tetovatorstvo je fenomen, ki ga zasledimo v skorajda vseh državah sveta, in ki zaseda različne funkcije: terapevtsko, zaščitno (pred zlimi silami), družbeno razločevalno, estetsko (povečevanje privlačnosti), kazensko, vojaško, dekorativno, religijsko ter funkcijo obeleženja pomembnega dogodka in/ali osebe. Pri odkrivanju zgodovine tetovatorstva sem jemala v obzir evropski prostor, afriško in azijsko celino, Oceanijo ter Severno, Srednjo in Južno Ameriko. Osredotočala sem se na zgodovinski razvoj tetovatorstva kot obrti ter antropološke vidike le-tega. V skladu s cilji diplomske naloge sem iskala vzporednice med ornamentom določenega obdobja in takratnimi tetovatorskimi smernicami ter jih skušala predstaviti v čim bolj reprezentativnih primerih. Preko osebnih razgovorov z naročniki tetovaž (tetoviranci) in njihovimi izdelovalci (tetovatorji) sem dobila boljši vpogled v odnose med stranko in tetovatorjem ter na percepcijo končnega izdelka. Hkrati sem želela tetoviranje prikazati kot področje, ki je za umetnostno zgodovino še kako zanimivo. S spoznavanjem tetoviranja z zgodovinskega, antropološkega in praktičnega vidika sem prišla do zaključka, da se vloga in pomen tetovaž od kulture do kulture razlikujeta ter da značilnosti ornamentike določenega obdobja likovne umetnosti sovpadajo s smernicami tetoverske obrti istega obdobja. Obenem sem potrdila domnevo, da zahodna kultura tetoviranja danes ne obsoja kot zločinsko in nezaželeno početje v tolikšni meri kot v preteklih zgodovinskih obdobjih. Menim, da sem uspela orisati raziskovalni potencial, ki ga ima tetoverstvo znotraj umetnostnozgodovinske stroke – sploh v sodobnem kontekstu, ki je v smislu razgibane motivike in razvoja individualnih tetoverskih stilov zanimiv tako za oko laika kot akademika. Regardless of the level of cultural development there are but a few nations who lack the desire for ornamentation. “Creating” is therefore a man´s primal volition. Tattooing of the face and body can definitely be attributed to such volitions. It was first practiced by the barbaric tribes. Tattooing is a phenomenon that can be found in all the countries of the world and has various functions: therapeutic, protective (against evil spirits), distinguishing (social class), aesthetic (increasing attractiveness), punitive, military, decorative, religious and commemorative function (commemorating a person and/or event). When uncovering the history of tattooing, I investigated Europe, Africa, Asia, Oceania, North America, Mesoamerica and South America. I focused on the historical evolution of tattooing as a craft and the anthropological aspects of tattooing. In accordance with the goals of my thesis, I searched for parallels between ornamentation in a certain era and tattoo trends of that time, then tried to show the most representative examples of this correlation. By personally interviewing tattooed clients and tattoo artists themselves, I have gained a better perspective of the client-tattooist relationship and of the perception of the finished product. At the same time I wanted to present tattooing as a field of interest for art history. By getting to know the history of tattooing from a historical, anthropological and practical standpoint I have come to a conclusion that the role and significance of tattoos differ from culture to culture. Ornamental characteristics of a certain era therefore coincide with tattoo trends of the same time. I have also confirmed the assumption that western culture no longer condemns tattooing as it has throughout the history. I believe I have managed to portray the research potential tattooing has in the art history sphere – especially in contemporary context which offers a wide variety of motifs and individual tattoo-making styles. These can be interesting for laymen and academics. tatu tetovatorska obrt tetovatorske tehnike in metode tetovatorski motivi ornament proces izdelave tetovaže zgodovina tatuja. Tattoo tattoo craft tattooing techniques and methods tattoo motifs ornament tattoo making process tattoo history. true true false [T. Krnjič] Slovenski jezik Angleški jezik Diplomsko delo 2015-08-20 08:08:33 2015-10-13 12:02:30 2022-06-04 03:10:30 2021-05-10 03:14:50 2015 0 Maribor 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 391.91(043.2) 21589256 URN:SI:UM:DK:SNIXFWXW UN_Krnjic_Tina_2015.pdf UN_Krnjic_Tina_2015.pdf 1 40EBB8E24E5906C7927F9831CC55FE3C 835e2dfc28839b38b099cb1e00f2e95a84366abdbf6a0b7cf0548f04365a3282 3661c2f8-7c07-11eb-bb7a-00155d0001ca https://dk.um.si/Dokument.php?lang=slv&id=79096 Filozofska fakulteta 0 0 0