20.500.12556/DKUM-54833 Analiza podnapisov glede na rabo socialnih zvrsti slovenskega jezika v filmski trilogiji Boter Analysis of subtitles according to the usage of the social registers of Slovene language in The Godfather Trilogy Namen magistrske naloge je predstaviti in analizirati podnapise v filmski trilogiji Boter glede na rabo socialnih zvrsti slovenskega jezika. V teoretičnem delu so predstavljene socialne zvrsti angleškega in slovenskega jezika, pri čemer smo se opirali tako na teorijo Jožeta Toporišiča kot tudi Andreja Skubica, ki je v teorijo jezikovnih zvrsti uvedel pojem in koncept sociolekta. Prav tako smo se osredinili na pojma družbena mreža in družbeni prostor, ki imata pomembno vlogo pri razumevanju filma in podnaslavljanju oziroma prevajanju v drug tuji jezik. Na koncu je predstavljena še teorija Bernarda Nežmaha, ki je v svojem delu pojasnil razliko med kletvicami in psovkami, kot tudi teorija Kitty M. van Leuven-Zwart, ki je razvila primerjalni model za iskanje razlik med izvirnikom in prevodom. Komparativna analiza vseh delov trilogije Boter, ki se v največji meri osredinja na analizo socialnih jezikovnih zvrsti, je pokazala, da do razhajanj med vsemi deli trilogije Boter ne prihaja. Zgodba vsakega dela nadaljuje pripoved predhodnega. Čeprav so se igralci skozi trilogijo menjavali in je po dveh desetletij, ko je posnet še tretji del trilogije, ostala le peščica istih, so vsi, tako stari kot tudi novi igralci, še vedno predstavljali družino Corleone, italijansko družino, ki se je integrirala v ameriško družbo in poskušala ohraniti ravnovesje med tema dvema kulturama. The aim of this master's thesis is to present and analyze subtitles in The Godfather Trilogy according to the usage of the social registers of Slovene language. The theoretical part represents the social registers of English and Slovene language, based mostly on the theories of Jože Toporišič and Andrej Skubic, who introduced the term and concept of sociolect in the theory of the social register. We have also focused on the concept of social network and social environment, which play an important role in understanding and subtitling or translating the film into a second foreign language. Finally, we presented the theory of Bernard Nežmah, who in his book clarified the difference between curses and swear words, as well as the theory of Kitty M. van Leuven-Zwart, who developed a method for finding differences between the original and the translation. The comparative analysis that mainly focuses on the analysis of social registers showed that there are no major differences among the three parts of The Godfather Trilogy. Each new part of the film follows the story of the previous film. Even though the actors changed through the trilogy and after twenty years, when the third part of the trilogy was filmed, only a handful of them remained the same, both old and new were still representing the family Corleone, an Italian family, integrated into the American society that sought to maintain balance between these two cultures. filmska trilogija Boter socialne zvrsti družbena mreža in družbeni prostor kletvice in psovke primerjalni model italijanska družina The Godfather Trilogy social registers social network and social environment curses and swear words comparative model Italian family true true false [T. Paragi] Slovenski jezik Angleški jezik Magistrsko delo/naloga 2015-09-14 20:48:31 2015-10-29 15:47:39 2022-06-06 03:07:19 2021-05-13 03:13:30 2015 0 Maribor 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 81'255:81'27=111=163.6(043.2) 21682184 URN:SI:UM:DK:BM3VMX4O MAG_Paragi_Tanja_2015.pdf MAG_Paragi_Tanja_2015.pdf 1 6D772D7F6A059EFA639681D52543ADF9 15092959e3867475e07528491f6cda32046c6b132b1fc98fd1aa6f069095ef97 c091b8bc-7c0b-11eb-bb7a-00155d0001ca https://dk.um.si/Dokument.php?lang=slv&id=81156 Filozofska fakulteta 0 0 0