20.500.12556/DKUM-55546 Comparing Shakespeare`s Othello to Three Film Adaptations Primerjava Shakespearjevega Othella s tremi filmskimi adaptacijami William Shakespeare's plays have had countless adaptations on stage and film, because his 16th century plays can still be made modern and interesting nowadays. They can be adapted to the modern world or played out in costumes and settings appropriate for their original contexts. This thesis will explore whether the temporal and cultural context alters the way the play is interpreted over decades. That is why the thesis will deal with three films: The Tragedy of Othello: The Moor of Venice, directed by Orson Welles, made in 1952; Othello, directed by Oliver Parker, made in 1995; and O, directed by Tim Blake Nelson, made in 2001. Each screenwriter and director has their own vision of a story they are trying to tell, whether it be an adaptation, appropriation or an original work. This thesis will explore whether the main theme of Othello remained intact across all three adaptations or whether, despite being changed to some extent, the adaptation can still be recognised as Othello. Drame Williama Shakespeara so priredili neštetokrat, tako na odru kot v filmu, saj so njegova dela iz 16. stoletja lahko predstavljena moderno in aktualno še dandanes. Lahko jih postavijo v moderno dobo ali pa v kostume in sceno primerno njihovim originalnim zgodbam. V diplomskem delu bomo raziskovali, ali se časovni in kulturni kontekst spreminjata glede na obdobje, v katerem je nastala priredba. Posebno pozornost smo namenili trem filmom – The Tragedy of Othello: The Moor of Venice, v režiji Orsona Wellesa, posnet 1952; Othello, v režiji Oliverja Parkerja, posnet 1995; ter O, v režiji Tima Blaka Nelsona, posnet 2001. Vsak scenarist in režiser imata svojo vizijo zgodbe, ki jo pripovedujeta, ne glede na to ali je to priredba ali originalno delo. V diplomski nalogi bomo ugotavljali, ali je glavna tematika Othella ostala nespremenjena v vseh treh priredbah oziroma ali jo lahko, kljub spremembam, prepoznamo kot Othello. William Shakespeare Othello Iago Desdemona adaptation appropriation film play director Orson Welles Oliver Parker Tim Blake Nelson theme cultural context temporal context William Shakespeare Othello Iago Desdemona priredba prilagoditev film igra režiser Orson Welles Oliver Parker Tim Blake Nelson tematika kulturni kontekst časovni kontekst true true false [A. Gomivnik] Angleški jezik Slovenski jezik Diplomsko delo 2015-11-23 21:38:25 2016-01-04 14:14:40 2022-06-09 03:09:13 2021-05-15 03:15:00 2015 0 Maribor 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 791.31:821.111-2.09(043.2) 21821192 URN:SI:UM:DK:QLMOBCTN UN_Gomivnik_Alenka_2015.pdf UN_Gomivnik_Alenka_2015.pdf 1 5A7034A8D218D359E7F5B2FE2CB4884E 4e81ae805d8983c255410dea1a5e5451d95a2e3a9cd94a9dd0af90652ed581fb cf929048-7c0b-11eb-bb7a-00155d0001ca https://dk.um.si/Dokument.php?lang=slv&id=83262 Filozofska fakulteta 0 0 0