20.500.12556/DKUM-58334 SARAJEVSKA HAGADA - PODOBE, UJETE MED VERO IN PREGANJANJEM SARAJEVO HAGGADAH - IMAGES, CAUGHT BETWEEN FAITH AND PERSECUTION Pričujoče diplomsko delo temelji na raziskavi problematike figurativnega upodabljanja v Sarajevski Hagadi. V prvem delu teze poudarim pojav iluminiranih rokopisov znotraj judovske prepovedi likovnega izražanja. Predstavljena je teorija o obstoju morebitnega antičnega judovskega rokopisa, na katerem naj bi temeljila srednjeveška krščanska in judovska rokopisna umetnost. Podan je nastanek iluminiranih Hagad v zgodovinskem in kulturnem kontekstu in pojav antisemitizma v 13. in 14. stoletju, ki je imel vpliv na ikonografijo Hagad. Analizirane so tudi ključne iluminacije iz Sarajevske Hagade, in njihova medsebojna primerjava s krščanskimi iluminacijami. Medsebojno so primerjane tudi sefardske in aškenaške Hagade. Cilj diplomske naloge je bil seznaniti bralca z jasnejšo sliko razvoja srednjeveških iluminiranih Hagad znotraj zgodovinskega in kulturnega okvirja, da bi lažje razumeli nastanek in avtorstvo Sarajevske Hagade. The present study is based on a survey of the problems of figurative depiction in the Sarajevo Haggadah. In the first part of thesis, I highlight the emergence of illuminated manuscripts whitin the Jewish prohibition of artistic expression. The theory of a existence of possible ancient Jewish manuscript is presented, on which early Christian funerary and medieval manuscript art should be based. The occurrence of the illuminated Haggadot is given in the historical and cultural context, and the emergence of anti-semitism in the 13th and 14th centuries, which also influenced the iconography of the Haggadot. The key illuminations of the Sarajevo Haggadah are analyzed and their mutual comparison with the Christian illuminations. Sephardic and Ashkenazic Haggadot are also compared together. The aim of the thesis was to acquaint the reader with a clearer picture of the development of Jewish art from antiquity to the Middle Ages, in order to better understaning the origin and authorship of the Sarajevo Haggadah. Sarajevska Hagada judovska umetnost krščanska umetnost Judje srednjeveška Španija pasha seder iluminirani rokopisi midraš slika beseda the Sarajevo Haggdah Jewish art Christian art Jews medieval Spain Passover seder illuminated manuscripts Midrash picture word true true false [M. S. Geder] Slovenski jezik Angleški jezik Diplomsko delo 2016-04-14 21:22:35 2016-05-24 14:56:39 2022-06-16 03:08:00 2019-07-11 10:36:12 2016 0 Maribor 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 7.04:26(043.2) 22216200 URN:SI:UM:DK:XXGGCMFV UN_Geder_Mirjam_Salma_2016.pdf UN_Geder_Mirjam_Salma_2016.pdf 1 1103D48F73B435C12E849F368441B014 671a141a78154e232dec4fa8c8132e454524f21c3e2a29f65d52330b1cf66244 10097dc2-7c0c-11eb-bb7a-00155d0001ca https://dk.um.si/Dokument.php?lang=slv&id=88659 Pedagoška fakulteta 0 0 0