20.500.12556/DKUM-59540 Smrt in bolečina v poeziji Alojza Gradnika Death and pain in poetry of Alojz Gradnik Smrt in bolečina sta poglavitni besedi, ki ju skozi diplomsko delo največkrat omenimo. Zakaj je ravno smrt tista vodilna beseda Gradnikove lirike? In zakaj je bolečina, katere pravi izraz pesnik neomahljivo išče, tako neizpodbitni del njega, da se šele skoznjo ovrednotijo Gradnikova najpomembnejša dela? Kljub splošni opredelitvi, da Alojz Gradnik velja za izrazito pesimističnega pesnika, pa sama menim, da ga pesimizem ne opredeljuje do te mere, da bi bil poznan zgolj po njem ali vsaj ne v prvi vrsti. Njegova smrt in njegova bolečina sta prepredeni v celoto nežnih, niansiranih in barvitih besed, ki te ganejo od znotraj. Kakor ladja te zanese njegova poezija, ki je melanholična, kajti neizživeta mladost ostaja v preteklosti, a ne tone v pozabo; ki je neutrudljivo boleča, kajti bolečine se ne vidi konca; in je globoka, kajti resnično prihaja iz globočin ranjenega srca. Zato je poezija težka in za vrednotenje potrebuje dovzetnega bralca, ki v bolečini ne kloni, ampak jo sprejme, in ki sam razume življenje kakor pot, na kateri je vsak dan vedno znova in znova za vselej izgubljen, zato pa končni cilj poti toliko bolj mističen. Prepričana sem, da je poezija Alojza Gradnika daleč od tega, da bi jo vrednotili zgolj s pesimizmom, pa vendar brez pesimizma ne bi bila, kar je – lepota. The key words mentioned most frequently throughout the relevant thesis, are death and pain. But why exactly is death the ultimate keyword of Gradnik’s poetry? And why is pain such an integral element of the author and his effort to find an adequate expression, that his most important works can only be assessed through this central concept? Despite the predominant perception of Alojz Gradnik being a distinctly pessimistic poet, I personally believe that this pessimism does not determine him to such extend, that his work would be known exclusively or even predominantly for its pronounced pessimism. His death and his paint are interwoven with the totality of gentle, colorful and nuanced words, which touch you from within. Like a ship his poetry takes you on a journey through its melancholy, as the unfulfilled youth remains in the past, yet does not fade into obscurity; it is relentlessly painful, as it cannot be recognized till the end; and it is deeply felt, as it truly arises from the depths of a wounded heart. And it is for this reason why poetry is difficult and why it requires a perceptive reader, who does not surrender to the pain but rather embraces it, because they understand life as a journey, on which each day is repeatedly lost for ever, thus making the final destination all the more mystical. This leads me to believe that the integral pessimism of Alojz Gradnik’s poetry by far is not the only alternative to describe it, as without it, it would not be what it is – beautiful. Alojz Gradnik smrt bolečina trpljenje hrepenenje ljubezen obup rod zemlja Arthur Schopenhauer filozofija ideal večnega miru odrešitev od bivanja. Alojz Gradnik death pain suffering desire love despair generation Ground Arthur Schopenhauer philosophy the ideal of eternal peace salvation from being. true true false [J. Hleb] Slovenski jezik Angleški jezik Diplomsko delo 2016-05-20 14:16:55 2016-07-27 14:48:27 2022-06-20 03:07:27 2019-07-11 11:17:10 2016 0 Maribor 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 821.163.6.09(043.2) 22370312 URN:SI:UM:DK:7BQO6NTI UN_Hleb_Janja_2016.pdf UN_Hleb_Janja_2016.pdf 1 E8B2E38D3C0CED1AF5F6B2428CDDC4C1 c86cf6725a7041b76cf0b7839f12a796f067e41b1cc38eb5af872c8c0a1d0a65 7e9ce11b-7c0c-11eb-bb7a-00155d0001ca https://dk.um.si/Dokument.php?lang=slv&id=92069 Filozofska fakulteta 0 0 0