20.500.12556/DKUM-59690 OD TEMNE SOBE DO FOTOGRAFIJE FROM THE DARK CHAMBER TO THE PHOTOGRAPHY V diplomskem delu z naslovom Od temne sobe do fotografije, sem se osredotočila na pomen svetlobe, ki ga le-ta ima pri nastajanju projicirane podobe vse od prazgodovine naprej. Najpreprostejši način za projiciranje podob je prav gotovo camera obcura. Camera obscura nam zveni kot kos najmodernejše tehnologije, resnici na ljubo pa gre za temen prostor, v katerega prehaja svetloba in ustvarja podobo. To je imelo še posebej magičen učinek na ljudi v prazgodovini, ko si še niso znali razlagati naravnih pojavov. Iz tega vidika je imela camera obscura velik verski pomen, prav tako je bila neke vrste koledar. V veliki meri pa velja prepričanje, da je svetloba dobila svoj pomen pri nastajanju vidnih in trajnih podob šele, ko so prvi fotografi želeli ohraniti podobo na mediju. To je prvemu uspelo Josephu Nicéphorju Niépceu leta 1826 . Razvoj fotografije in fotografskega materiala pa je od 19. stoletja postopoma napredoval. Razločnost novonastalih podob na steklu, kovinski plošči oziroma papirju je v ljudeh sprva vzbujala strah in nelagodje; menili so, da bi te razločne podobe lahko oživele, hkrati pa jih je obdajalo nelagodje, da so opazovani. Do takrat so namreč svojo podobo lahko uzrli le kot odsev na vodni gladini ali v ogledalu. V praktičnem delu diplomske naloge sem se lotila izdelave več camer obscur. V enih je podobo mogoče ohraniti, z drugimi pa jo je moč le opazovati. Diploma thesis From the dark chamber to photography focuses on the importance of light and its role in creating an image from the prehistoric era till today. The simplest, yet detailed, way of projecting light is definitely camera obscura. Camera obscura might sound as an expensive piece of modern technology but in truth it is a mere dark chamber, in which light emerges and creates an image. Hence it had a special magical effect on prehistoric humans, who were not able to explain different natural phenomena. Therefore camera obscura had a strong religious meaning and at the same time it was a sort of calendar. Nevertheless, general opinion still stands that the light and its role in creating images became important no earlier than in the 19th century, in 1826, when Joseph Nicéphor Niépce managed to obtain the image on the media. Development of the photography and photographic materials gradually progressed since then. Distinctness of newly obtained images on paper caused anxiety and fear. People believed that these distinctive images could come out of the paper and at the same time experienced uneasiness of feeling observed. Until then they could see their reflections only in mirrors or on water surface. In the empirical part we created several cameras obscura. In one of them we were able to obtain the image, in the other we could only observe the image. camera obscura fotografija podoba svetloba projekcija camera obscura photography image light projection true true false [S. Kurnik] Slovenski jezik Angleški jezik Diplomsko delo 2016-05-25 13:15:00 2016-08-17 15:13:14 2022-06-21 03:06:28 2019-07-11 11:22:11 2016 0 Maribor 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 77.02(043.2) 22432776 URN:SI:UM:DK:RLQFUGYC UN_Kurnik_Svetlana_2016.pdf UN_Kurnik_Svetlana_2016.pdf 1 B103D951190D39676EE5D3B3D7EF3B31 1ef24aaacc18aef0fde2beb2d7d85a3a1402019b60a12b6102ca843bd2991259 91b86541-7c0c-11eb-bb7a-00155d0001ca https://dk.um.si/Dokument.php?lang=slv&id=92859 Pedagoška fakulteta 0 0 0