20.500.12556/DKUM-59821 LJUBEZEN V IZBRANIH SHAKESPEAROVIH KOMEDIJAH IN ANALIZA NJIHOVIH SLOVENSKIH PREVODOV LOVE IN SELECTED SHAKESPEARE`S COMEDIES AND ANALYSES OF THEIR SLOVENIAN TRANSLATIONS V diplomskem delu je predstavljen koncept renesančne ljubezni v zahodni Evropi v izbranih Shakespearovih komedijah – v ljubezenskih komedijah Mnogo hrupa za nič, Kakor vam drago in Dvanajsta noč ali Kar hočete. Predstavljeni so komedija, njen razvoj, kronološka razporeditev Shakespearovega opusa komedij in umestitev izbranih treh v predstavljeni opus. V nadaljevanju je predstavljeno Googlovo prevajalsko orodje, s katerim sem prevedla tri izbrane odlomke iz omenjenih treh komedij. Odlomki so izbrani subjektivno, po presoji, kako pomembni so za koncept ljubezni v obravnavanih komedijah. V empiričnem delu je predstavljena analiza izbranih odlomkov z Googlovim prevajalskim orodjem ter primerjana s slovenskimi književnimi prevodi Otona Župančiča in Milana Jesiha. Rezultati raziskave kažejo, da Googlovo prevajalsko orodje neustrezno prevaja umetnostna besedila, ustrezno pa prevaja zgolj enobesedna gesla. V primerjavi s književnimi prevodi Otona Župančiča in Milana Jesiha sploh ne moremo govoriti o prevodu, saj Googlovo prevajalsko orodje ne prevaja sporočilno ustrezno. Najustrezneje prevaja enopomenska enobesedna gesla ter kratke in preproste enostavčne povedi. Pri prenesenem pomenu Googlov prevajalnik ne ohrani sporočilne vrednosti. Sklepamo, da Googlovo prevajalsko orodje pri končnem izdelku ne ustvari prevoda, ampak predprevodna ali ponujena gesla. This graduate thesis presents a research on the Renaissance concept of love in the Western Europe, which is encompassed in three chosen Shakespeare's comedies, namely romantic comedies Much Ado About Nothing, As You Like it and Twelfth Night or What You Will. It offers a discussion on comedy, its historical development, chronological layout of Shakespeare's collected comedies and the investiture of the chosen three romantic comedies into the Shakespeare's opus. In the empirical section of the research the Google Translation Toolkit and the translation results of the subjectively chosen three excerpts from the three romantic comedies are presented. The translation is made from English to Slovene and compared with the literary translations made by Oton Župančič and Milan Jesih. The results of the analysis show that the Google Translation Toolkit does not provide acceptable translations on the communicative level. It translates single worded entries and fairly short sentences very simple in syntax. In comparison with the literary translations by Oton Župančič and Milan Jesih it is impossible to accept the translation done by the Google Translation Toolkit as a translation. Google Translation Toolkit works best with single meaning words and sentences of a very simplfied syntax. At this point it is possible to say that the Google Translation Toolkit works as a some kind of a pre-translation or editor tool, but it is impossible to admit it the translator abilty, since it does not preserve the original meaning and communicative function of the literary text. renesansa koncept ljubezni komedija William Shakespeare Googlovo prevajalsko orodje prevod Oton Župančič Milan Jesih jezikovna politika Renaissance love concept comedy William Shakespeare Google Translation Toolkit translation literary translation Oton Župančič Milan Jesih language politics. true true false [S. Miljević] Slovenski jezik Angleški jezik Diplomsko delo 2016-05-29 16:56:32 2016-09-05 11:21:24 2022-06-21 03:07:28 2019-07-11 11:26:30 2016 0 Celje 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 821.111.09Shakespeare W.(043.2) 22489352 URN:SI:UM:DK:2N9US4NA UN_Miljevic_Suzana_2016.pdf UN_Miljevic_Suzana_2016.pdf 1 271EE27CE3005FEC46B26028D51728AC eea85856d5f8d320d1840a0f95423a51381d37b836da330a476a154fd78b70a1 93493851-7c0c-11eb-bb7a-00155d0001ca https://dk.um.si/Dokument.php?lang=slv&id=92924 Filozofska fakulteta 0 0 0