20.500.12556/DKUM-60074 Portreti izvajalcev jazza - med zvokom in podobo The portraits of jazz performers - between sound and image Diplomska naloga z naslovom Portreti izvajalcev jazza – med zvokom in podobo je sestavljena iz teoretičnega dela in diplomske razstave risb, ki je vsebinsko vezana na teoretični del diplomske naloge. V teoretičnem delu diplomskega dela sta razčlenjeni definiciji risbe in portreta. Zasledovana je zgodovina risbe, naveden je okvirni čas začetka razumevanja risbe kot samostojne umetniške zvrsti, opisani so začetki ustvarjanja v tehniki pastela in krede na papirju. Kronološko je predstavljeno, kako se je upodabljanje portreta skozi zgodovino spreminjalo. Primerja se učinek svetle risbe na temni podlagi in kako temna risba učinkuje na svetli. Izpostavljeni so avtorji z deli, ki so mi bila v navdih pri praktičnem delu diplomske naloge. Glasbena in likovna umetnost sta zelo povezani, pogosti so motivi glasbe v likovni umetnosti, glasbeniki se pogosto ukvarjajo tudi z likovnim ustvarjanjem in obratno. Predstavljeni so avtorji, ki so bili povezani z jazz glasbo in se le-ta tudi odraža v njihovih delih. V teoretičnem delu so na kratko predstavljeni zgodovina in razvoj jazz glasbe ter fotografija, ki je vezana na portrete jazz glasbenikov. V praktičnem delu diplomske naloge sem svoje risbe razdelila v tri skupine oz. faze, od študijske risbe do faze, ko sem lastno risbo sprostila. V okviru hitre risbe so nastali krokiji in risbe, ki sem jih poimenovala z izrazom »redukcijska risba«. Faze lastnega ustvarjanja sem tudi analizirala in predstavila skupinsko razstavo v Salonu Rotovž v Mariboru ter samostojno razstavo v okviru Kluba ptujskih študentov v Kolnkišti na Ptuju, kjer so bili moji portreti izvajalcev jazza na ogled. Diploma paper with a title The portraits of jazz performers - between sound and image consists of two parts: a theoretical one and diploma exhibition of drawings. Theoretical part explains the definitions of a drawing and a portrait, history of a drawing, description of a time when it first was considered as art and presentation of pastel and chalk on paper. A chronological presentation is given how the portrait has been changed during history and how the light line drawing is perceived as opposed to dark line drawing, light one on the dark surface and vice versa. I expose some authors that were an inspiration to me, while working; authors connected to jazz music are presented as well. The theoretical part explains the history of jazz music and photography or portraits that were made of these musicians. Practical part of the diploma paper consists of three phases or groups: from the study phase of a drawing to the phase in which my works becomes more loose. As fast drawings I present a group of sketches and drawings that I named “reduced drawings”. I analysed all phases of creation of the drawings and presented my works at the joint exhibition in Salon Rotovž in Maribor and solo exhibition in Kolnkišta, Klub Ptujskih Študentov in Ptuj. PORTRET RISBA PASTEL ZAHODNOEVROPSKI PORTRET JAZZ V LIKOVNI UMETNOSTI PORTRAIT DRAWING PASTEL WESTERN EUROPEAN PORTRAITS JAZZ IN FINE ART true true false [S. Pišek] Slovenski jezik Angleški jezik Diplomsko delo 2016-06-08 01:00:43 2016-08-17 15:33:16 2022-06-22 03:05:52 2019-07-11 11:34:53 2016 0 Maribor 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 75.041.5(043.2) 22430472 URN:SI:UM:DK:8G26QO8R UN_Pisek_Sonja_2016.pdf UN_Pisek_Sonja_2016.pdf 1 88D04BCB584F4FBA03E8CA5829A6A6E5 8a78f64c69a665bf05294cc1de2ea5c42841fd9bdd3e115db32495c77b890b75 b528e4ac-7c0c-11eb-bb7a-00155d0001ca https://dk.um.si/Dokument.php?lang=slv&id=94588 Pedagoška fakulteta 0 0 0