20.500.12556/DKUM-63459 RISBA: MED FIGURALNIM IN ABSTRAKTNIM DRAWING: BETWEEN FIGURATIVE AND ABSTRACT Magistrsko delo temelji na raziskovanju risbe kot temelju vsakega likovnega ustvarjanja. V magistrskem delu smo obravnavali prvinsko funkcijo risbe, katera lahko privede do samostojnega likovnega dela ali pa služi le kot predpriprava za nadaljnje delo. Pojasnili smo pojem skica, v kateri se že lahko kažejo težnje po likovni artikulaciji v drugem mediju in nam je zgolj v pomoč ali pa tudi ne in ostane na nivoju skice. V nadaljevanju smo obravnavali linijo kot osnovni element risbe. V delu nas je zanimal predvsem spontani in prvinski pristop k likovnemu ustvarjalnemu delu in prav risba je tista, ki nam to omogoča. Zato smo v nalogi obravnavali grafično risbo, katera zaradi specifike grafičnega medija risbi daje posebno izrazno noto. V nalogi smo obravnavali risbo kot podobo, kjer figuralno povezujemo z estetskim pojmom posnemanja. Zaradi postopnega prehajanja podobe iz predmetnega v abstraktno, smo obravnavali abstraktno umetnost in z njo pomembne avtorje, kot so Kandinski, Picasso, Malevič in Mondrian. S Picassovim redukcionizmom smo predstavili sestop iz predmetnega v nepredmetno. Prav tako smo se oprli na Maleviča in Mondriana, ki sta se kot začetnika t. i. geometrijske abstrakcije začela zanimati za čiste oblike in barve. Preko obravnave postopnega redukcionizma smo v delo vključili tudi svoje lastno izražanje, kjer izpostavljamo prvinskost risbe in njeno izrazno moč. The following master's thesis is based on exploring a drawing as a basis for every artistic creation. We considered its primal function which can lead to an independent work of art or it can serve only as a pre-preparation for futher work. We explained the notion of a sketch that can already show a tendency to an artistic articulation in another medium and can only serve us as a means of help or it can remain on the level of a sketch. Further on we study the line as the basic element of a drawing. We are mainly interested in a spontaneous and primal approach towards artistic creative work and the drawing enables us this. Therefore the thesis deals with the graphic drawing which through its specific of graphic medium gives the drawing a special expressive touch. The thesis treats the drawing as a figure and the figurality is related to the estetic notion of imitation. Because the figure gradually transists from objective to abstract, we discussed abstract art and some of its greatest authors such as Kandinski, Picasso, Malevič and Mondrian. Picasso's reductionism was used to present the descent from objective to nonobjective. We also discussed Malevič and Mondrian who were the pioneers of the so called geometric abstraction and who later on showed their interest in clear shapes and colours. Besides the consideration of gradual reductionism, this thesis also includes our own expression in which we emphasise the primal function of a drawing and its expressive power. risba risarska artikulacija grafična risba skica mimezis podoba figuralno abstraktno drawing drawing articulation graphic drawing sketch mimesis figure figurally abstract true true false [M. Aberšek] Slovenski jezik Angleški jezik Magistrsko delo/naloga 2016-09-11 22:02:52 2016-11-09 16:46:03 2023-10-20 12:01:50 2019-07-11 13:28:39 2016 0 Maribor 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 741(043.2) 22744584 URN:SI:UM:DK:VVU2VEMT MAG_Abersek_Marusa_2016.pdf MAG_Abersek_Marusa_2016.pdf 1 3838487ABD4BEC4BF56A7F948F925356 9e18544c5a0c887b8dd84f9212263e2568646c2c7789ed49e1b70255780db08d 6991e7d1-7c0d-11eb-bb7a-00155d0001ca https://dk.um.si/Dokument.php?lang=slv&id=103794 Pedagoška fakulteta 0 0 0