20.500.12556/DKUM-64163 MOŽNOSTI MONOTIPIJE V PREPUSTNI TEHNIKI SITOTISKA S PRIMARNIMI BARVAMI POTENTIALS OF THE MONOTYPE PROCESS USING PRIMARY COLOURS IN SCREEN PRINTING V diplomskem delu sem se osredotočila na področje grafike in raziskovala grafični tehniki sitotiska in monotipije. Predvsem sem se ukvarjala s povezavo obeh tehnik. S tem sem predstavila možnost enkratnosti odtisa. Pri procesu sem temo barve obravnavala tako s teoretičnega kot praktičnega vidika. V praktičnem delu so uporabljene primarne barve, s katerimi prikažem njihovo neposredno mešanje na sito in učinke v končnem odtisu. V teoretičnem delu sem nakazala neposredne in šablonske pristope izvajanja tiska, kakršnih se lahko lotimo pri monotipijskem postopku sitotiska. V delu podrobno obravnavam umetnika Gerharda Richterja in Vojka Pogačarja. Gerhard Richter se izčrpno ukvarja s temo barve in »neklasičnimi« pristopi slikanja na platno. Kljub raznolikosti tehnik najdemo v izvedbi, predvsem v opusu abstraktnih slik, skupni imenovalec v njegovem ustvarjalnem procesu. Akademski slikar Vojko Pogačar je mariborski akademski slikar in profesor, ki se vedno znova ukvarja s temo barva in se v svojih delih poslužuje novih pristopov sitotiska, ki ga tudi razvija in dopolnjuje. Njegovo umetniško ustvarjanje je podano v intervjuju, v katerem ga tudi interpretira. V končnih poglavjih predstavljam svoje grafike, ki so rezultat povezovanja teorije in prakse z vidika zastavljene problematike. Nastale so z uporabo primarnih barv in kot posledica njihovega posrednega mešanja z različnimi linijskimi nanosi. The thesis entitled Potentials of the Monotype Process Using Primary Colours in Screen Printing focuses on graphic art and researches two graphic techniques, screen printing and monotype. It particularly examines the combination of these two techniques and thus presents a potential singularity of the print. The process itself is discussed theoretically as well as practically. The practical part involves primary colours that enable the presentation of their immediate mixture on screen and the effects shown in the final print. The theoretical part indicates ways of direct and stencil printing that can be tackled in the monotype process of screen printing. The artists Gerhard Richter and Vojko Pogačar are discussed in this work in detail. Gerhard Richter engaged himself in colours and “non-classical” approaches to painting on canvas. Despite the differing techniques, a common denominator can be detected in the completion of the creative process, especially in his abstract paintings. Vojko Pogačar is an artist based in Maribor, who has been repeatedly tackling the visual element of colour and resorting in his works to new approaches in screen printing, which he also complements and develops further. His artistic creation is herein presented in an interview, in which the artist interprets it himself. My own graphic artworks, being a result of connecting theory and practice of the topic discussed in the thesis, are presented in the final chapters. They have been created by the use of primary colours and as a result of their random mixture with different linear applications. monotipija sitotisk Gerhard Richter Vojko Pogačar primarne barve unikatni sitotisk grafika šablona rakelj monotipijski pristopi monotype screen printing Gerhard Richter Vojko Pogačar primary colours unique screen printing graphic print design stencil squeegee approaches to monotype printing true true false [K. Cvetko] Slovenski jezik Angleški jezik Diplomsko delo 2016-09-23 01:04:28 2016-10-25 15:40:34 2022-07-04 03:07:13 2019-07-11 13:52:22 2016 0 Maribor 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 655.227:76(043.2) 22713352 URN:SI:UM:DK:W79R4NYS UN_Cvetko_Kaja_2016.pdf UN_Cvetko_Kaja_2016.pdf 1 351629B32733902DF675BD531FE0458A c27b7414ada43d707b36317b6b65e1afcaf63c9ac350f90726d9444a994d2da0 a6748cd0-7c0d-11eb-bb7a-00155d0001ca https://dk.um.si/Dokument.php?lang=slv&id=106362 Pedagoška fakulteta 0 0 0