20.500.12556/DKUM-68251 Dramatic Present for Deception of Perception Pripovedni sedanjik in zavajanje dojemanja The main subject of my master’s thesis is to discuss the topic of English tenses and their relation to time. In order to develop a clearer understanding of the topic, four tenses (the Present simple, Present Continuous, Past simple and Past continuous) that were later used for the analysis in the empirical part, and the time and tense differences were presented theoretically. All four tenses were thoroughly described and supported with examples. For the empirical part and further analysis, the following books were used: The Front by Patricia Cornwell, In the Company of the Courtesan by Sarah Dunant, and The Rule of Four by Ian Caldwell and Dustin Thomason. With the help of these novels, the use of tenses and their compatibility with time were analysed. Special focus was put on dramatic present. We wanted to see if the time and tense in the stories were compatible and what happened with the reader’s perception if other tenses, especially the Past simple, were used. The results have shown that all three novels are mainly written in the Present Simple regardless of the time when the story happened. Such story where dramatic present is a predominant tense is given more sense of drama and acts more vividly. For this reason, the reader is not aware of the real time of the happening. Their perception is deceptive because time and tense are not consistent. Osrednji predmet raziskovanja magistrskega dela je področje angleških slovničnih časov. Za boljše razumevanje celotne teme smo v teoretičnem delu naloge podrobneje predstavili štiri slovnične čase (Present simple, Present continuous, Past simple in Past continuous), ki so v empiričnem delu uporabljeni kot del analize, ter razliko med časom kot slovnično kategorijo in časom kot dojemanjem realnosti. Raziskovalni del temelji na treh izbranih angleških delih: The Front od Patricie Cornwell, In the Company of the Courtesan od Sarah Dunant in The Rule of Four od Iana Caldwella in Dustina Thomasona. S pomočjo teh romanov smo analizirali rabo slovničnih časov in njihovo ujemanje z dejanskim časom, poseben poudarek pa je na pripovednem sedanjiku. Z raziskavo smo želeli ugotoviti, ali sta dejanski čas in slovnični čas kompatibilna in kaj se zgodi z bralčevim dojemanjem, če so uporabljeni tudi ostali slovnični časi (še posebej Past simple). Rezultati empiričnega dela kažejo na to, da so vsi trije romani napisani pretežno v Present simplu ne glede na dejanski čas, v katerem se zgodba odvija. Dogajanje v zgodbi, kjer je navadni sedanjik (v angl. dramatic present) prevladujoč čas, je bolj dramatično in deluje živahnejše, zato bralec ni pozoren na realni čas dogajanja. Njegovo dojemanje zgodbe je varljivo, saj realni čas dogajanja in čas kot slovnična kategorija nista kompatibilna. time present simple progressive tenses past simple dramatic present perception of reception sense of drama immediacy čas navadni sedanjik potekovna glagolska oblika časov navadni preteklik pripovedni sedanjik zavajanje dojemanja dramatičnost aktualnost true true false [A. Simreich] Angleški jezik Slovenski jezik Magistrsko delo/naloga 2017-09-13 21:27:31 2018-03-06 13:07:41 2022-08-01 15:03:38 2019-07-11 16:46:52 2017 0 Maribor 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 811.111'366.58(043.2) 23688712 URN:SI:UM:DK:KUVQ3UJ4 MAG_Simreich_Anja_2017.pdf MAG_Simreich_Anja_2017.pdf 1 7E04425E3E93860F44B8284A5CC92CF6 d4f598850f6f946cebfbc1baeadf54d1c44e9f70921b4bc949fd6b457b563369 40a1c981-7c0f-11eb-bb7a-00155d0001ca 20.500.12556/dkum/20404601-9481-4e7e-a6c4-90c4132f7b76 https://dk.um.si/Dokument.php?lang=slv&id=117949 Filozofska fakulteta 0 0 0