20.500.12556/DKUM-73191 Opus Ivane Kobilce v interpretaciji likovnih kritikov Ivana Kobilca's Oeuvre in the Interpretation of Art Critics Predmet pričujočega magistrskega dela je opus in značaj slikarke Ivane Kobilca (1861–1926), kakor so ju interpretirali likovni kritiki od konca 19. stoletja do današnjih dni. Rojena Ljubljančanka je večino svojega življenja in predvsem leta umetniškega ustvarjanja preživela izven rojstnega mesta. Svojo pot je iz Ljubljane kot osemnajstletna nadaljevala na Dunaju, v Münchnu, Parizu, Sarajevu in Berlinu, svoj življenjski in umetnostni krog pa sklenila v Ljubljani. Umetnica je bila od samih začetkov deležna pozornosti kritike, raziskovalcev, novinarjev, umetnostnih zgodovinarjev, umetnostnih poročevalcev in širše javnosti. Prvi del magistrske naloge se ukvarja s stanjem raziskav, ki je, glede na Kobilčino priljubljenost, zelo obsežno, saj vključuje poročanja, razmišljanja in dognanja piscev ter kritikov v več kot 130-ih letih. Zaradi obsežnosti sem stanje raziskav obravnavala kronološko, medtem ko je vsebinsko razdeljeno na dva dela: poročanje in kritika ob razstavah ter Kobilčin značaj, kakor so ga interpretirali različni pisci. Stanje raziskav je pokazalo, da so sliko o Kobilci v začetkih »ustvarjali« moški pisatelji z le redkimi izjemami. Slednje se je spremenilo z letom 1950, ko so o Kobilci začele pisati predvsem ženske. Želja umestiti Kobilco v »mrežo« točno določenega umetniškega sklopa, dogajanj ali gibanj je vseskozi prisotna. Slednja je najbolj izražena s poskusi umestitve Ivane Kobilca v sklop feministične umetnosti na prelomu 20. v 21. stoletje. V nadaljevanju sledi analiza najnovejše Kobilčine retrospektivne razstave Narodne galerije iz leta 2018 in spremljajočih kritiških besedil. Dognanja spremljajoče monografije, še zlasti pa enega izmed avtorjev, Jureta Mikuža, so bistveno pripomogla »izluščiti« najkakovostnejše poudarke kritiških razmislekov preteklih obdobij, prav tako pa se je slednja pokazala kot logično nadaljevanje in nadgradnja razstave iz leta 1979 ter poglobljene študije v spremnem katalogu, ki jo je napisala Špelca Čopič. The subject of the present master’s thesis is oeuvre and character of the painter Ivana Kobilca (1861–1926) interpreted by art critics from the late 19th century to present days. Ivana Kobilca, although born in Ljubljana, had spent the most of her life and artistic engagement out of her home town. Her path led her as an eighteen year old girl from Ljubljana to Vienna, Munich, Paris, Sarajevo and Berlin; nevertheless, she concluded her life and art circle in Ljubljana. From the very beginnings, the artist had received the attention of critics, researchers, journalists, art historians, artistic rapporteurs and the general public. The first part of the master's thesis deals with the state of research, which, according to Kobilca’s popularity, is very extensive, as it includes reports, reflections and the findings of writers and critics in more than 130 years. Due to the extent, I examined the state of the research chronologically, which is divided into two parts: reporting and criticism by exhibitions, and Kobilca’s character, as interpreted by various writers. The state of research showed that the image of the Kobilca in the beginning was "created" by male writers with rare exceptions of female writers, latter changed from 1950, when women began to write about Kobilca. The desire to place her in the "web" of a specific artistic set, events or movements was always present. The latter is most expressed by the attempts to place Ivana Kobilca in the feminist art at the turn of the 21st century. The thesis proceeds with the newest retrospective by the National Gallery Ljubljana from 2018 and accompanying critical texts. The findings of the accompanying monograph, and especially one of the authors, Jure Mikuž, helped to "extract" the best highlights of the critical thinking of past periods. The latter proved to be a logical continuation and upgrading of the exhibition from 1979 and in-depth studies in the accompanying catalogue, which was written by Špelca Čopič. Ivana Kobilca Ferdo Vesel realizem impresionizem kritika kritiki feminizem Ivana Kobilca Ferdo Vesel realism impressionism critic critics feminism true true false [T. Plaftak] Slovenski jezik Angleški jezik Magistrsko delo/naloga 2019-03-04 00:39:58 2019-03-26 11:47:06 2022-08-02 00:03:58 2019-07-11 19:47:58 2019 0 Maribor 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 7.072.3(043.2) 24456968 URN:SI:UM:DK:WTIHZMCD MAG_Plaftak_Tea_2019.pdf MAG_Plaftak_Tea_2019.pdf 1 75F0381609AC7A6315EFF93CCA35E5A9 c810b26e6da687ce1b75fd0a5d2cf52cf52bdf091ef433654e1f309074c8ee3e 9f21547a-7c10-11eb-bb7a-00155d0001ca 20.500.12556/dkum/252b38af-6427-4661-93f9-8daacb9c425c https://dk.um.si/Dokument.php?lang=slv&id=132852 Filozofska fakulteta 0 0 0