20.500.12556/DKUM-78956 Sodobna grafika v Sloveniji Contemporary graphics in Slovenia Magistrska naloga se osredotoča na razvoj sodobne grafike v Sloveniji skozi ljubljanski Mednarodni grafični bienale. Na začetku smo orisali razvoj grafike na slovenskih tleh in izpostavili ključne osebnosti ter dogodke, ki so pomembno vplivali na njen razvoj. Izhodišča smo poiskali v predvojni grafiki in ustanovitvi Akademije za likovno umetnost in oblikovanje v Ljubljani, dotaknili smo se ljubljanske grafične šole in Mednarodnega grafičnega bienala v Ljubljani. Slednjega smo podrobneje obravnavali, ker nas je zanimalo, kakšne spremembe in novosti so se pojavljale v zadnjih letih na področju grafične umetnosti. Proučili smo bienale od 20. izdaje naprej in bili pozorni na razvoj umetniške grafike, grafičnih tehnik in grafične matrice. Pri proučevanju omenjenega smo prišli do predpostavke, da je bilo zaradi razvoja grafike in pojava digitalnih medijev treba na novo zastaviti zasnovo bienala, ob tem pa se sprašujemo, ali je tradicija grafične umetnosti in grafičnih tehnik še vedno živa. Naš namen je tudi ugotoviti, kakšno vlogo ima danes matrica, saj predvidevamo, da sta se njena uporaba in pojmovanje spremenila. V zadnjem delu smo prikazali lasten pogled na sodobno grafično ustvarjanje. S produkcijo grafik, narejenih v tradicionalnih grafičnih tehnikah, želimo gledalca napotiti v raziskovanje sodobne umetniške grafike. The final thesis considers the development of contemporary graphics in Slovenia through the Slovenian International Biennial of Graphic Arts. It begins with the portrayal of the development of Slovenian graphic arts exposing crucial individuals and events, who contributed greatly to its development. The strating points were found in the pre-war graphics and the establishment of the Academy of Fine Arts and Design Ljubljana. Furthermore, the key points were also found in Graphic School Ljubljana as well as the International Biennial of Graphic Arts in Ljubljana. The latter was thoroughly studies with the particular interest in the changes that have occured over the years. We studied the Biennial from the 20th edition and focused on the development of graphic arts, graphic techniques and graphic matrix. The research led us to the assumption that due to the development of digital media the design of the Biennial needed to be reconsidered. By doing so, the question that arises is whether the tradition of graphic arts and graphic techniques is still alive. Our purpose is also to find out what the current role of the matrix is, as we presume that its use and conception have changed. The concluding part of the thesis shows a personal view on the contemporary graphic creation. Using graphics created by the use of traditional graphic techniques, we wish to direct the viewer's eye in the research of contemporary graphic arts. sodobna grafika Akademija za likovno umetnost in oblikovanje Mednarodni grafični bienale tradicionalne grafične tehnike novi mediji contemporary graphic art Academy of Fine Arts and Design International Biennial of Graphic Arts traditional graphic design techniques new media art true true false [N. Strašek] Slovenski jezik Angleški jezik Magistrsko delo/naloga 2021-04-06 09:40:11 2021-05-24 12:42:53 2023-08-23 09:40:30 0000-00-00 00:00:00 2021 0 Maribor 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 76(497.4)(043.2) 64323843 MAG_Strasek_Nika_2021.pdf MAG_Strasek_Nika_2021.pdf 1 ECA87FC9399A1348313EB674E482FAF4 109c3c2adc02ffd73831f3e1c706208159845e7fd51d72ccbb1b178f5fb58cf9 c57d1bc8-96b1-11eb-b58e-00155d0001ca 20.500.12556/dkum/7de3ff37-ed5f-4abe-84a7-1cdedea033fe https://dk.um.si/Dokument.php?lang=slv&id=149648 Pedagoška fakulteta 0 0 0