20.500.12556/DKUM-81070 Od formalne likovne analize k scenografiji: nakaj primerov magistrsko delo From Formal Analysis of Fine Art to Scenography: A Few Examples Magistrsko delo z naslovom Od formalne likovne analize k scenografiji: nekaj primerov sestavljata teoretični in praktični del. V teoretičnem delu smo proučili likovnoteoretsko obravnavo prostora v slikarstvu, kar smo podkrepili s klasifikacijo prostorskih vodil. Slednje smo obravnavali pri formalni likovni analizi izbranih slikarskih del. Poleg tega smo prikazali razvoj načinov upodobitve prostora v slikarstvu, torej s pomočjo umetnostnozgodovinskega pregleda ključnih obdobij in njihovih prostorskih paradigem. Ključni obdobji pri izbranih slikarskih delih, predvsem pri gradnji slikovnega prostora, sta renesansa in modernizem, glede na motiviko del pa smo dodali še obdobji baroka in romantike. Splošno smo se navezali na scenografsko oblikovanje, poseben poudarek smo namenili razvoju scenografske makete. V procesu izdelave praktičnega dela smo povezali rezultate formalne likovne analize slik z literaturo, ki se navezuje na oblikovanje scenografskih maket. Z rezultati praktičnega dela naloge smo potrdili našo glavno hipotezo, da lahko z združevanjem zakonitosti ustvarjanja slikovnega prostora in tehnologij oblikovanja scenskih maket znova poustvarimo prostor slikarskega dela. This Master's thesis titled From Formal Analysis of Fine Art to Scenography: A Few Examples consists of a theoretical and a practical part. In the theoretical part, we examined the fine arts theoretical treatment of space in painting which was supported by a classification of spatial guidelines. Additionally, these guidelines were used in formal analysis of selected paintings. Furthermore, we have indicated the development of manner representing space in painting through the art historical overview of the main periods and their spatial paradigms. With regard to the selected paintings, the key periods in a construction of their pictorial space are the Renaissance and Modernism, to which we have added the Baroque and Romantic periods, depending on the motifs of the work. Moreover, we focused on a scenographic design, particularly on the scenographic model development. In the following process of creating the practical part, we have thus linked the results of the formal analysis of the paintings with the literature intended for designing scenographic models. The main results of the practical part confirmed our main hypothesis, claiming that by combining the laws of pictorial space creation and technologies of scene model design, we can recreate the painting’s space. slikarski prostor formalna likovna analiza scenografija likovna umetnost painting space formal analysis of fine art scenography fine art true true false [A. Glažar] Slovenski jezik Angleški jezik Magistrsko delo/naloga 2021-12-22 14:09:41 2022-07-13 11:36:36 2022-08-10 00:16:18 0000-00-00 00:00:00 2021 0 Maribor 0 Maribor 1 spletni vir (1 datoteka PDF (XIII, 151 str.)) 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 73/76(043.2) 115147779 MAG_Glazar_Ana_2021.pdf MAG_Glazar_Ana_2021.pdf 1 B7D01DDC3F2F2411B4142792A30A7620 9fce10c7d6b3917be534cf3e89d56d8ad57f48147cc737a8dded652d9085a286 48f428bf-632a-11ec-bc00-00155d000105 20.500.12556/dkum/e7d0c704-7c28-4bdc-8916-23c9c513da29 https://dk.um.si/Dokument.php?lang=slv&id=155923 Pedagoška fakulteta 0 0 0