20.500.12556/DKUM-82641 Vinko Globokar in Monolith za flavto magistrsko delo Vinko Globokar and Monolith for Flute Magistrsko delo z naslovom Monolith za flavto zajema analizo kompozicije Monolith za flavto skladatelja Vinka Globokarja, ki je svojo glasbeno pot začel kot pozavnist. Sčasoma je postal tudi skladatelj in njegova glasbena pot ga je peljala skozi različne kulture. Vse to je vplivalo na njegov svojevrsten pogled na svet in glasbo. Začel se je ukvarjati z raziskovanjem zvoka, instrumentov in instrumentalnih tehnik. Pozavno je dojemal kot podaljšek svojega telesa in enak princip je uporabil pri kompoziciji Monolith za flavto. Gre za produkt, ki je nastal v času Globokarjevega delovanja na IRCAM-u v Parizu, francoskem institutu za raziskovanje glasbe in zvoka, kjer je vodil oddelek za instrumentalne in vokalne raziskave. V kompozicijo je vključil razširjene tehnike igranja flavte, natančneje petje in igranje. Kot izvajalske instrumente, je uporabil tri flavte, in sicer prečno, pikolo in basovsko flavto. Izvajalec jih menjuje in jih odlaga na mizo pred seboj. Miza predstavlja tudi gledališki element, zato in zaradi številnih drugih del z gledališkimi elementi, Vinka Globokarja uvrščamo med žanr glasbeno gledališče. Ker je večina Globokarjevih del nastala kot posledica eksperimentiranja z »novim«, ga uvrščamo v obdobje avantgarde, ki velja za obdobje nastajanja novih oblik, načinov in tehnik izvajanja. The following Master’s thesis, Monolith for Flute focuses on the analysis of the composition Monolith for Flute by Vinko Globokar, who began his musical career as trombonist. Eventually, he also became a composer and his musical journey took him across different cultures. This altogether influenced his peculiar view of the world and music. Moreover, he started researching sound, instruments and instrumental techniques. He perceived the trombone as an extension of his body and applied the similar principle to the composition Monolith for Flute. The composition was created during Globokar’s tenure at IRCAM in Paris, the French Institute for Music and Sound Research, where he was the head of the department for vocal research. He incorporated extended flute playing techniques into the composition, specifically singing and playing. As performing instruments, he used three flutes: transverse, the piccolo and the bass flute. Throughout the performance, the performer changes them during the piece and places the instruments on the table in front of him. The table represents a theatrical element. Furthermore, because of many other works with theatrical elements, we categorize Vinko Globokar in the genre of musical theatre. Most of Globokar’s works were created as a result of experimenting with the new; therefore, we place Vinko Globokar in the avant-garde period, which is considered to be the period of emergence of new forms, methods and techniques of performance. Vinko Globokar Monolith za flavto flavta razširjene tehnike igranja avantgarda. Vinko Globokar Monolith for Flute flute extended techniques of playing avant-garde. true true false [U. Subašič] Slovenski jezik Angleški jezik Magistrsko delo/naloga 2022-08-29 09:24:15 2022-10-12 14:18:26 2022-10-13 03:26:32 0000-00-00 00:00:00 2022 0 Maribor 0 Maribor 1 spletni vir (1 datoteka PDF (61 str.)) 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 78.071.1Globokar V.:780.8(043.2) 125260803 MAG_Subasic_Urska_2022.pdf MAG_Subasic_Urska_2022.pdf 1 D6C4A2B1E12432D57D1B333B5FC8D6DE b4847fcd64eb500e89495be4283700e9b19aa2164339b2509abc9707cb9d1530 ba9dc880-2d00-11ed-8944-00155d000105 https://dk.um.si/Dokument.php?lang=slv&id=161757 Pedagoška fakulteta 0 0 0