20.500.12556/DKUM-88297 Klavirska dela Ravela in Debussyja v povezavi z impresionističnim slikarstvom magistrsko delo Piano Pieces by Ravel and Debussy in Relation to Impressionist Painting Impresionizem je umetnostni slog, ki se je najprej razvil v slikarstvu in kasneje v glasbi. Razvil se je v poznem 19. stoletju v prestolnici Francije. Impresionistični slikarji so s svojim nekonvencionalnim pristopom k obravnavanju barv, ustvarjanjem v naravi ter uporabo kratkih, nejasnih potez in linij skupaj z upodabljanjem trenutnih vtisov in naravnih motivov močno vplivali na takratne skladatelje, zlasti na Debussyja ter posredno tudi na Ravela. Pod močnim vplivom simbolizma sta skladatelja zamajala temelje tradicionalne harmonije z vpeljavo novih lestvic in modalnosti, obogatila akorde s kromatičnimi odtenki, svobodno uporabljala disonance, eksotične ritme, zvočne efekte in ter razširila zvočno paleto z vključevanjem manj uveljavljenih instrumentov. V osrednjem delu zaključnega dela obravnavamo in raziskujemo vzporednice med francoskimi impresionističnimi slikarji in klavirskimi deli glasbenih impresionistov, pri čemer v ospredje postavljamo Ravela. Na podlagi literature ugotavljamo njegovo povezavo z njegovimi sodobniki, pri čemer se kaže vpliv predvsem Debussyja in ustvarjalcev kot sta Satie in Fauré. Čeprav so delili nekatere skupne estetske in slogovne značilnosti, je Ravel sčasoma oblikoval svoj prepoznaven glasbeni jezik, ki sega preko zgolj impresionističnih okvirjev. Z večjim poudarkom na klasicističnih oblikovalnih nazorih ga označujemo kot ''klasika impresionizma''. V zaključnem delu na podlagi Skrjabinove sinestezije, kjer povežemo barvo in zvok, in izbranih štirih klavirskih skladbah Ravela in Debussyja iščemo vzporednice z impresionističnimi slikarji. Impressionism is an art style that first developed in painting and later in music. It developed in the late 19th century in the capital of France. Impressionist painters, with their unconventional approach to dealing with colours, creating in nature, and using short, vague strokes and lines, along with depicting current impressions and natural motifs, strongly influenced composers of the time, especially Debussy and, indirectly, also Ravel. Under the strong influence of symbolism, they have shaken the foundations of traditional harmony by introducing new scales and modality, enriched chords with chromatic shades, freely used dissonances, exotic rhythms, sound effects, and expanded the sound palette by including less established instruments. In the main part of the master’s thesis, we discuss and explore the parallels between French Impressionist painters and piano works by musical impressionists, focusing on Ravel. On the basis of the literature, we find his connection with his contemporaries, where especially the influence of Debussy and composers such as Satie and Fauré can be seen. Although they shared some common aesthetic and stylistic features, Ravel eventually formed his recognizable musical language, which extends beyond mere Impressionist frames. With greater emphasis on classicist design views, we refer to it as the "classic of impressionism". In the master thesis, based on Scriabin's synaesthesia, where we combine colour and sound, and selected four piano compositions by Ravel and Debussy, we look for parallels with Impressionist painters. impresionizem slikarstvo glasba poezija klavir Claude Debussy Maurice Ravel sinestezija impressionism painting music symbolism piano Claude Debussy Maurice Ravel synaesthesia true true false [N. Osenjak] Slovenski jezik Angleški jezik Magistrsko delo/naloga 2024-04-13 12:47:20 2024-05-15 12:35:31 2024-05-16 03:14:45 0000-00-00 00:00:00 2024 0 Maribor 0 Maribor 1 spletni vir (1 datoteka PDF (XI, 157 str.)) 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 78:75(043.2) 195503107 MAG_Osenjak_Nina_2024.pdf MAG_Osenjak_Nina_2024.pdf 1 E4EB8E05ABDDC1A0666143D4B072D4C2 dbea07f928cfadb5d9d5ac3a6e689b8609327f8e4c21141f2c623dc53715d215 b1d92203-033e-11ef-887c-00155d000105 https://dk.um.si/Dokument.php?lang=slv&id=178928 Pedagoška fakulteta 0 0 0