20.500.12556/DKUM-89444 Posnemanje zvokov narave v partiturah sodobnih slovenskih skladateljev in njihovo vključevanje v lastne zborovske kompozicije magistrsko delo Nature sounds in scores by contemporary Slovenian composers and their incorporation into own choral compositions Vključevanje zvokov narave v partiture skladateljev ni novost sodobnega časa, temveč ga zaznamo že v obdobju renesanse in že mnogo prej. Ker so zvoki narave zanimivi, jih skladatelji v svoje kompozicije vključujejo še danes. S kompleksnostjo zvokov velikokrat naletimo na nekonvencionalne zapise. Skladatelji iščejo načine, kako določen zvok najlažje zapisati, pri tem pa upoštevajo, da je zvok za poustvarjalca najbolj razumljiv. V teoretičnem delu smo predstavili možnosti pridobivanja formalnega znanja iz kompozicije v Sloveniji in ga dopolnili z neformalnimi možnostmi pridobivanja tega znanja. Pomembnejši del teoretičnega dela predstavljajo vpogled v partiture, opis posnemanja zvokov narave v partiturah slovenskih skladateljev in kratek pregled tega pojava v preteklosti. V praktičnem delu magistrske naloge smo ustvarili skladbe in vanje vključili posnemanje zvokov narave. Predstavili smo besedila in njihove avtorje, dodali partiture skladb in skladbe na kratko opisali, da bi jih bodoči poustvarjalci lažje razumeli in bi jim jih v večji meri približali. The incorporation of nature sounds into composers' scores is not a novelty of modern times; it has been evident since the Renaissance period and even much earlier. Since nature sounds are so intriguing, composers continue to integrate them into their compositions today. Due to the complexity of these sounds, we often encounter unconventional notations. Composers seek ways to notate specific sounds in a manner that is most comprehensible to the performer. The theoretical part features some possibilities for acquiring formal knowledge in compositions in Slovenia, as well as some informal options of acquiring it. An important part of the theoretical section provides insight into the scores, describes the imitation of nature sounds in the scores of Slovenian composers, and offers a brief overview of this phenomenon in the past. In the practical part of the thesis, new compositions that include the imitation of nature sounds are created. Texts and their authors are presented, with an addition of the scores of the compositions, and a brief description of the compositions to make them easier to understand and more approachable for future performers. zborovska glasba zvoki narave kompozicija slovenski skladatelji umetne zborovske skladbe choral music nature sounds composition Slovenian composers authored choral works true true false [K. Bezjak] Slovenski jezik Angleški jezik Magistrsko delo/naloga 2024-07-10 12:36:01 2024-10-03 10:33:48 2024-10-04 03:13:45 0000-00-00 00:00:00 2024 0 Maribor 0 Maribor 1 spletni vir (1 datoteka PDF (XIII, 119 str.)) 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 78.02(043.2) 210043907 MAG_Bezjak_Kevin_2024.pdf MAG_Bezjak_Kevin_2024.pdf 1 1B6D29B730A65BE015D02BAADEA0D39C 4c25f24a1f3f80fba4bb4b885055f2263423dc1ffce054d215ffe24464e72a84 cc956703-4282-11ef-99b3-00155d000105 https://dk.um.si/Dokument.php?lang=slv&id=181469 Pedagoška fakulteta 0 0 0