20.500.12556/DKUM-89452 Pandemic and politics in Mary Shelley’s The last man As we emerge from the COVID-19 pandemic, readers and scholars turn to previous pandemic writing. Among the accounts of past pandemics, Mary Shelley’s The Last Man (1826) might not be the most familiar, although it stands out, not merely because of its female author and futuristic, dystopian mode. Its real distinction is that it predicts the social and political fallout of a pandemic in ways that echo the global experience of coronavirus reaction over the last few years, specifically, the ideological polarization created by anti-pandemic measures. English literature plague narrative dystopia angleška književnost pandemije tema bolezni dystopia literarne študije true true true Angleški jezik Slovenski jezik Članek v reviji 2024-07-11 03:38:06 2024-08-02 11:45:02 2024-08-03 04:53:41 0000-00-00 00:00:00 2022 0 0 str. 26-34 1 Vol. 31 Summer 2022 0000-00-00 Zaloznikova Objavljeno NiDoloceno 0000-00-00 0000-00-00 2022-06-21 821.111.09 201342467 2518-3567 https://essenglish.org/messenger/wp-content/uploads/sites/2/2023/04/31-1-gadpaille.pdf 1 3fcc460e-3f26-11ef-a161-00155d000105 https://dk.um.si/Dokument.php?lang=slv&id=181357 Filozofska fakulteta 0 0 0