20.500.12556/DKUM-92273 Vera in identiteta skozi umetnost samouprizarjanja magistrsko delo Religion and identity through the art of self-performance Magistrska naloga raziskuje povezavo med krščanstvom, umetnostjo in osebno identiteto v sodobnem kontekstu. Teoretični del analizira vlogo žensk v krščanski ikonografiji, zlasti podobo Device Marije, ter raziskuje feministične kritike nevidnega dela žensk v religiji in umetnosti. Praktični del naloge vključuje ustvarjanje videoeseja, ki preko samouprizarjanja in avtorefleksije raziskuje avtoričin osebni odnos do vere in identitete. Naloga združuje teoretično spoznanje s praktičnim umetniškim delom, pri čemer uporablja krščansko simboliko in feministično teorijo kot okvir za raziskovanje. Videoesej služi kot medij za introspekcijo in izražanje osebne in verske identitete, pri čemer izziva tradicionalne norme in pričakovanja. Ključne ugotovitve vključujejo vpliv krščanske ikonografije na oblikovanje ženskih vlog, pomen nevidnega dela v umetnosti in družbi ter vlogo video umetnosti kot orodja za raziskovanje identitete in vere. Naloga prispeva k razumevanju povezav med religijo, umetnostjo in identiteto, zlasti skozi prizmo feministične kritike in samouprizarjanja. This master's thesis explores the connection between Christianity, art, and personal identity in a contemporary context. The theoretical part analyses the role of women in Christian iconography, particularly the figure of the Virgin Mary, and examines feminist critiques of the invisibility of women's labour in religion and art. The practical part of the thesis involves the creation of a video essay, which uses self-performance and self-reflection to investigate the author's personal relationship with faith and identity. The thesis combines theoretical insights with practical artistic work, employing Christian symbolism and feminist theory as a framework for exploration. The video essay serves as a medium for introspection and the expression of personal and religious identity, challenging traditional norms and expectations. Key findings include the influence of Christian iconography on shaping women's roles, the significance of invisible labour in art and society, and the role of video art as a tool for exploring identity and faith. The thesis contributes to the understanding of the intersections between religion, art, and identity, particularly through the lens of feminist critique and self-representation. krščanstvo identiteta samouprizarjanje feministična umetnost video umetnost Christianity identity self-performance feminist art video art true true false [Š. Ambrož] Slovenski jezik Angleški jezik Magistrsko delo/naloga 2025-03-26 14:44:38 2025-05-07 09:59:04 2025-05-08 03:21:15 0000-00-00 00:00:00 2025 0 Maribor 0 Maribor X, 93 str. 0000-00-00 Zaloznikova Objavljeno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 7.038.53:27(043.2) 234993155 MAG_Ambroz_Spela_2025.pdf MAG_Ambroz_Spela_2025.pdf 1 15A46776E951C6975611E023CDD5DFB5 00a05115d197eb2cfa763a9bef4298b3ed6b9016f46b65bf568fd691514b0c7e 78b479f8-0a4b-11f0-af23-00155d000105 https://dk.um.si/Dokument.php?lang=slv&id=189686 Pedagoška fakulteta 0 0 0