20.500.12556/DKUM-94419 Izginevanje pokrajine v risbah in grafikah Franceta Miheliča magistrsko delo The disappearance of landscape in the drawings and graphics of France Mihelič Vsestranski slovenski umetnik France Mihelič (1907–1998) je zapustil bogat in raznolik opus del v najrazličnejših likovnih tehnikah. Največjo grafično in risarsko zbirko Miheličevih del hranijo v Grafičnem kabinetu Franceta Miheliča, ki deluje pod okriljem Pokrajinskega muzeja Ptuj - Ormož. Zbirko več kot šest tisoč risb in grafik je z donacijo družine Musek leta 2024 obogatilo nadaljnjih 189 del iz umetnikovega zgodnjega obdobja. S sistematičnim pregledom Miheličeve zapuščine smo ugotovili, da se je umetnikovo upodabljanje krajine na risbah in grafikah skozi leta bistveno spreminjalo od realističnega do fantazijskega prikaza, v poznejših delih pa je pokrajina skoraj popolnoma izginila. Umetnostni zgodovinarji so se doslej posvečali zlasti raziskovanju umetnikove figuralike, medtem ko je bil motiv izginevanja pokrajine v pregledih Miheličevega opusa pogosto spregledan. Pričujoče delo skuša zapolniti ta manko v razumevanju umetnikovega opusa in sprememb v njem. Upodabljanje in postopno izginevanje pokrajine je postavljeno v kontekst umetnikovega študija na zagrebški akademiji, vpliva profesorjev in starejših ter sočasnih umetnikov, in Miheličevega srečanja s pustnimi običaji. Zlasti pa sta izpostavljeni najpomembnejši prelomnici, ki sta vplivali na umetnikovo delo, to sta neposredno doživetje strahot druge svetovne vojne in študijski obisk Pariza, po katerem je bilo umetnikovo ustvarjanje zaznamovano s fantastiko. V magistrskem delu je s kronološkim pregledom ter metodama analize in interpretacije prikazan umetnikov prehod iz realnega v domišljijski svet. Posebej je prikazano upodabljanje pokrajine, ki vsebinsko postaja vedno manj pomembna, saj je Mihelič za prikazovanje motivov in pripovedovanje ne potrebuje več. V magistrskem delu so prvič predstavljene tudi nekatere risbe in grafike, ki jih je Grafični kabinet Franceta Miheliča na Ptuju pridobil z donacijo družine Musek. Izbrane risbe in grafike, ki so osnova za razlago, analizo in interpretacijo vsebine, so predstavljene v kataloškem delu. The versatile Slovenian artist France Mihelič (1907– 1988) left a rich and varied opus of works in a wide range of artistic techniques. The largest collection of Mihelič’s graphic and drawing works is stored in the Graphic Cabinet of France Mihelič, which operates under the auspices of the Ptuj – Ormož Regional Museum. The collection of more than six thousand drawings and graphics was enriched by a further 189 works from the artist’s early period, donated by the Musek family in 2024. Through a systematic review of Mihelič’s legacy, we found that the artist’s depiction of landscape in his drawings and graphics changed significantly over the years, from realistic to fantastic, while in his later works the landscape completely disappeared. Art historians have so far focused on the artist’s figuration, while the motif of the disappearance of landscape has often been overlooked in reviews of Mihelič’s opus. This work seeks to fill this gap in the understanding of the artist’s opus and the changes in it. The depiction and gradual disappearance of the landscape is set in the context of the artist’s studies at the Zagreb Academy, the influence of his professors, older people, other artists, and Mihelič’s encounter with carnival customs. In particular, the most important turning points that influenced the artist’s work are highlighted, namely the direct experience of the horrors of the Second World War and his study visit to Paris, after which the artist’s work was marked by fantasy. The master’s thesis presents the artist’s transition from the real world to the world of the imagination through a chronological review and methods of analysis and interpretation. In particular, the depiction of landscape, which is becoming less and less important in terms of content, is shown, as Mihelič no longer needs it to depict motifs and narrate. The master’s thesis also presents for the first time some of the drawings and graphics that were acquired by the Graphic Cabinet of France Mihelič in Ptuj, through a donation from the Musek family. Selected drawings and graphics, which form the basis for the explanation, analysis, and interpretation of the content, are presented in the catalogue part. France Mihelič risba grafika izginevanje pokrajine 20. stoletje France Mihelič drawing graphic disappearing landscape 20th century true true false U. Kiselak Slovenski jezik Angleški jezik 1900-1999; Magistrsko delo/naloga 2025-08-16 11:56:00 2025-09-23 15:06:39 2025-09-24 03:21:23 0000-00-00 00:00:00 2025 0 Maribor 0 Maribor 1 spletni vir (1 datoteka PDF (XV, 176 str.)) 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 74/76:929Mihelič F.(043.2)(0.034.2) 250073091 MAG_Kiselak_Urska_2025.pdf MAG_Kiselak_Urska_2025.pdf 1 EC08313B2FF1AEC7A4FEFF0CB18DAE3A 0de039e4966aa1229e22da63e905642bf4e4373dc2932d7d2bdd6747c9f4adc0 b77c9a24-7a88-11f0-89b6-00155d000105 https://dk.um.si/Dokument.php?lang=slv&id=195386 Filozofska fakulteta 0 0 0