20.500.12556/DKUM-94578 Building intimacy between the protagonists in the film adaptations of Hardy's Far from the madding crowd master's thesis Prikaz intime med protagonistoma v filmskih adaptacijah Hardyjevega romana Daleč od ponorelega sveta magistrsko delo Thomas Hardy’s Far from the Madding Crowd (1874) has been adapted into film multiple times, with notable versions directed by John Schlesinger (1967), Nicholas Renton (1998), and Thomas Vinterberg (2015). This thesis explores how these adaptations portray the intimacy between the two protagonists, Bathsheba Everdene and Gabriel Oak, focusing on the visual and narrative techniques that have been used to develop their relationship. By analysing a selection of key scenes from each adaptation, the thesis investigates the use of close-ups, camera angles, and dialogue features to convey the growing intimacy between Bathsheba and Gabriel, examining how these techniques reflect power dynamics and interact with physical closeness. Additionally, it considers how portraying intimacy differs across adaptations. The 1967 and 1998 films seem to use power dynamics more prominently through camera angles, while the 2015 adaptation foregrounds physical intimacy and humour. The findings show that each film emphasizes various aspects of the protagonists' relationship; the 1967 version focuses more on Bathsheba and Troy's connection, while the 1998 and 2015 films highlight the bond between Bathsheba and Gabriel. Finally, this thesis contributes to the study of film adaptations of classic literature by offering a detailed comparison of the representation of intimacy across three distinct cinematic interpretations of Hardy’s novel. Thomas Hardyjev roman Far from the Madding Crowd (1874) je bil večkrat prirejen za filmsko platno, med najpomembnejšimi različicami pa so filmi režiserjev Johna Schlesingerja (1967), Nicholasa Rentona (1998) in Thomasa Vinterberga (2015). Magistrsko delo raziskuje, kako ti filmi prikazujejo intimo med glavnima protagonistoma, Bathshebo Everdene in Gabrielom Oakom, s poudarkom na vizualnih in pripovednih tehnikah, uporabljenih za razvoj njunega odnosa. Z analizo izbranih ključnih prizorov iz filmskih adaptacij naloga proučuje uporabo posnetkov od blizu (v ang. close ups), kotov kamere in značilnosti dialoga za izražanje intime med Bathshebo in Gabrielom ter ugotavlja, kako te tehnike odražajo razmerja moči in se prepletajo s fizično bližino. Poleg tega obravnava razlike v prikazu intime med posameznimi adaptacijami. Filma iz let 1967 in 1998 razmerja moči izraziteje prikazujeta s pomočjo kotov kamere, medtem ko adaptacija iz leta 2015 v ospredje postavlja fizično intimo in humor. Ugotovitve kažejo, da vsak film izpostavlja različne vidike odnosa protagonistov: različica iz leta 1967 se bolj osredotoča na Bathshebin in Troyjev odnos, medtem ko filma iz let 1998 in 2015 izpostavljata vez med Bathshebo in Gabrielom. Nazadnje magistrsko delo prispeva k raziskovanju filmskih adaptacij klasične literature s podrobno primerjavo prikazovanja intime v treh različnih filmskih interpretacijah Hardyjevega romana. Thomas Hardy Far from the madding crowd film adaptation portrayal of intimacy Thomas Hardy Far from the madding crowd filmska adaptacija prikaz intime true true false K. Globočnik Angleški jezik Slovenski jezik Magistrsko delo/naloga 2025-08-21 16:42:30 2025-09-19 11:05:59 2025-09-20 03:16:25 0000-00-00 00:00:00 2025 0 Maribor 0 Maribor 1 spletni vir (1 datoteka PDF (IX, 75 str.)) 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 821.111.09(043.2)(0.034.2) 249606659 MAG_Globocnik_Karmen_2025.pdf MAG_Globocnik_Karmen_2025.pdf 1 5901D61A5678C065901BA5A89F422297 d998950e32572d7d271ef78d1277089c37b414e05d96bcff31cbb64c10c7e098 3b8f1abf-8c75-11f0-9059-00155d000105 https://dk.um.si/Dokument.php?lang=slv&id=197784 Filozofska fakulteta 0 0 0