20.500.12556/DKUM-95063 Introverzija in ekstraverzija v procesu ustvarjanja grafične risbe: arhetipi in likovni izraz magistrsko delo Introversion and Extraversion in the Process of Creating a Printmaking Drawing: Archetypes and Artistic Expression Magistrsko delo vzpostavlja dialoško razmerje med zgodovinskim razumevanjem grafike kot umetniške prakse in sodobno likovnoteoretsko opredelitvijo grafične risbe. Že Francisco de Goya je grafiko definiral kot samostojno umetniško dejavnost, pri kateri reproduktibilnost ni cilj, temveč sredstvo za artikulacijo umetniške vsebine. Z vidika Muhovičevega likovnoteoretskega razumevanja proces ustvarjanja grafične risbe omogoča neposredno interakcijo med notranjo in zunanjo realnostjo, tj. med vsebinami psihe in materialnostjo matrice. V tem kontekstu je ključna vpeljava Jungovih psihoanalitičnih konceptov osebnega in kolektivnega nezavednega ter arhetipa. Pri tem je posebna pozornost namenjena intuiciji umetnika in ustvarjalnemu dejanju (po Jungu gre za t. i. "mistično udeleženost") ter razmerju med introvertnim in ekstravertnim, kar je tudi osrednja tema v praktičnem delu naloge. S tem naloga vzpostavlja celosten model razumevanja umetniškega ustvarjanja, ki presega formalno-analitične ali zgolj tehnične vidike grafike, ter jo umešča v širši kontekst simbolnega izražanja in psihične transformacije. The master's thesis establishes a dialogical relationship between the historical understanding of printmaking as an artistic practice and the contemporary theoretical definition of the printmaking drawing. As early as Francisco de Goya, printmaking was defined as an autonomous artistic activity, where reproducibility is not the goal but rather a means of articulating artistic content. From the perspective of Muhovič's theoretical approach to visual art, the process of creating a printmaking drawing enables a direct interaction between inner and outer reality—that is, between psychic content and the materiality of the matrix. In this context, the introduction of Carl Gustav Jung’s psychoanalytical concepts of the personal and collective unconscious and of the archetype is essential. Special attention is given to the artist’s intuition and the creative act itself, understood by Jung as a form of "mystical participation". The relationship between introversion and extraversion also emerges as a central theme in the practical part of the thesis. In doing so, the thesis proposes a holistic model of artistic creation that goes beyond formal-analytical or purely technical aspects of printmaking, placing it within a broader framework of symbolic expression and psychic transformation. grafična risba arhetip C.G. Jung introverzija ekstraverzija printmaking drawing archetype C.G. Jung introversion extraversion true true false L. Pernek Slovenski jezik Angleški jezik Magistrsko delo/naloga 2025-09-03 11:40:11 2025-11-04 10:24:12 2025-11-05 03:12:49 0000-00-00 00:00:00 2025 0 Maribor 0 Maribor 1 spletni vir (1 datoteka PDF (IX, 93 str.)) 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 76.01(043.2) 255778819 MAG_Pernek_Lea_2025.pdf MAG_Pernek_Lea_2025.pdf 1 C5EDC8F79F8C89BE5F20FD6F0EB8D952 51dfddf222f2e51f23019d0ae9ecd233b214604777e9f84fb1728d86fe4605bb 6660b3fc-9a52-11f0-a1be-00155d000105 https://dk.um.si/Dokument.php?lang=slv&id=199234 Pedagoška fakulteta 0 0 0