20.500.12556/DKUM-95707 Platon in ples ontologija plesa skozi prizmo Platonove teorije idej ter Platonovo vrednotenje plesa The ontology of dance through the lens of Plato's theory of forms and Plato's evaluation of dance V članku obravnavamo ontologijo plesa z vidika Platona in sodobnih avtorjev. Na začetku predstavimo različne filozofske vidike koncepta plesa. Sledi opis ontologije plesa, kjer se naslonimo na razmišljanje sodobnih avtoric Osintseve in Pakes. Slednja se (med drugim) osredotoča prav na podobnosti med platonizmom in ontologijo plesa. V nadaljevanju razložimo relevantno Platonovo ontologijo oz. teorijo idej, ki zagovarja obstoj nadčutnega sveta. Prikazana je problematika Platonove kritike umetnosti v Državi, kjer je predvidena izločitev umetnikov iz idealne države. Platon je umetnost dojemal kot posnemanje, ki na prebivalstvo nima dobrega vpliva. Ta stališča se zdijo neskladna z njegovo pozitivno naravnanostjo do umetnosti v osnovnem izobraževanju. Pri starih Grkih je človek, ki je znal plesati, veljal za izobraženega. Platon je v svojo filozofijo glasbe vključeval pojem harmonije, ki še danes velja za eno najvišjih kvalitet glasbe in plesa. V zaključku primerjamo balet s Platonovo teorijo idej, odkrivajoč njune podobnosti. In this article we discuss the ontology of dance from the perspectives of Plato and contemporary authors. We begin by presenting various philosophical aspects of the concept of dance. This is followed by an analysis of the ontology of dance, where we draw on the thinking of the contemporary authors Osintseva and Pakes. The latter focuses (among other things) on the parallels between Platonism and the ontology of dance. In the following, we examine relevant Platonic ontology or Theory of Forms, which posits the existence of a suprasensible realm. The article addresses the issue of Plato's critique of art in The Republic, where he advocates for the exclusion of artists from the ideal state. Plato perceived art as imitation, which he argued had a negative influence on the population. These views seem inconsistent with his positive attitude towards art in elementary education. In ancient Greece, a person skilled in dance was considered educated. Plato incorporated the concept of harmony into his philosophy of music, a quality still regarded as one of the highest virtues in music and dance today. In conclusion, we compare ballet with Plato's Theory of Forms, revealing their similarities. umetnost ples balet Platon ontologija teorija idej art dance ballet Plato ontology theory of forms true false true Univerza v Mariboru, Univerzitetna založba Slovenski jezik Angleški jezik Znanstveno delo 2025-10-14 03:17:11 2026-02-05 11:07:04 2026-05-13 09:39:04 0000-00-00 00:00:00 2024 0 0 24 št. 1 Letn. 28 2024 0000-00-00 Zaloznikova Objavljeno NiDoloceno 0000-00-00 0000-00-00 2025-01-30 11Plato 2712-4916 252851203 2712-4916 RAZ_Bacani_Nina_2024.pdf RAZ_Bacani_Nina_2024.pdf 1 CEAFAC2701951DA58FEE63559AD70F2C 6a6e81af3503a3a9763b085c3dbe35cebcf3926dae651030b1a70f571b13c8d6 def36a3c-027a-11f1-b31a-00155d00019a https://dk.um.si/Dokument.php?lang=slv&id=203058 https://journals.um.si/index.php/analiza/article/view/4897/3229 1 836feaba-a89b-11f0-97dd-00155d000105 https://dk.um.si/Dokument.php?lang=slv&id=199826 Filozofska fakulteta Univerzitetna založba Univerze v Mariboru Analiza 0 0 0