20.500.12556/DKUM-97058 Odmik od formalne tematske strukture sklopa preludijev Frederica Chopina magistrsko delo Deviation from the formal thematic structure of the Frederic Chopin's set of preludes Magistrska naloga obravnava razvoj preludija kot glasbene oblike ter se posebej osredotoča na zbirko 24 preludijev, op. 28 Frédérica Chopina, enega najpomembnejših predstavnikov glasbene romantike. Preludij je bil sprva zasnovan kot kratka skladba, ki je služila kot uvod k večjim vokalnim ali instrumentalnim delom. V Chopinovi zbirki pa ta zvrst preseže svojo uvodno funkcijo in se preoblikuje v samostojno glasbeno miniaturo, zmožno ujeti raznolika razpoloženja, občutja in značaje. Chopinovi preludiji se med seboj razlikujejo po dolžini, tempu in tonaliteti, a so hkrati povezani v celovit cikel, ki razkriva skladateljevo mojstrstvo v združevanju harmonske inovativnosti in melodične spevnosti. V teoretičnem delu naloga predstavlja Chopinovo življenje in ustvarjalno pot z ozirom na zgodovinski in glasbeni kontekst preludija od renesanse in baroka do romantike. V osrednjem analitičnem delu pa podrobneje obravnava šest izbranih preludijev iz zbirke op. 28 (št. 2, 4, 6, 8, 20 in 24). Analiza se osredotoča na formalno zgradbo, harmonske posebnosti, melodične značilnosti ter klavirsko obdelavo teh miniatur, pri čemer razkriva Chopinov preplet tradicije in inovacije. Cilj naloge je pokazati, kako Chopin s svojimi preludiji presega formalno tematsko strukturo in oblikuje cikel samostojnih skladb, ki imajo hkrati notranjo povezanost in izrazno enotnost. S tem je Chopin pomembno prispeval k razvoju preludija kot samostojne koncertne oblike in k bogatitvi klavirske literature. This master's thesis explores the development of the prelude as a musical form, with a particular focus on Frédéric Chopin's collection of 24 Preludes, Op. 28, one of the most significant figures of musical Romanticism. Originally conceived as a short, improvisatory piece serving as an introduction to larger vocal or instrumental compositions, the prelude in Chopin's hands evolved into an independent musical miniature capable of expressing a wide range of moods, emotions, and characters. Chopin's preludes differ in length, tempo, and key, yet they are bound together within a coherent cycle that demonstrates the composer’s mastery in combining harmonic innovation, melodic lyricism, and emotional depth. The theoretical part of the thesis presents Chopin's life and creative development, alongside a historical overview of the prelude from the Renaissance and Baroque eras to Romanticism. The analytical section focuses on six selected preludes from Op. 28 (Nos. 2, 4, 6, 8, 20, and 24), examining their formal structure, harmonic features, melodic characteristics, and pianistic texture. Through this analysis, the study reveals Chopin’s synthesis of tradition and innovation. The aim of the thesis is to demonstrate how Chopin transcends the formal thematic structure to create a cycle of autonomous pieces that maintain both expressive unity and inner coherence. In doing so, he redefined the prelude as an independent concert form and made a lasting contribution to the enrichment of piano literature. analiza preludij Frederic Chopin analysis prelude Frederic Chopin true true false S. Kunšt Slovenski jezik Angleški jezik Magistrsko delo/naloga 2026-02-14 00:11:27 2026-03-26 08:58:36 2026-03-27 03:09:21 0000-00-00 00:00:00 2026 0 Maribor 0 Maribor 1 spletni vir (1 datoteka PDF (VII, 88 str.)) 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 781.5:929Chopin F.(043.2) 273102595 MAG_Kunst_Samanta_2026.pdf MAG_Kunst_Samanta_2026.pdf 1 312459F51F2A94FC8D1D9743721C06B2 a6993c86358d6084c205a7551336b707815cf9d1aa7722170a39c473e4c19b5e 87299f65-0b8b-11f1-baf9-00155d580e1a https://dk.um.si/Dokument.php?lang=slv&id=203391 Pedagoška fakulteta 0 0 0