20.500.12556/DKUM-98337 Fenomen hibridnega avtoportreta in lastni slikarski izraz magistrsko delo The Phenomenon of the Hybrid Self-Portrait and Personal Artistic Expression Magistrsko delo obravnava fenomen (avto)portreta in hibridne podobe, ki so jih ustvarjali umetniki od renesanse do sodobnega časa. Teoretični del naloge opredeljuje pojma hibridne podobe in hibridnega (avto)portreta ter raziskuje razvoj in pomen motivov portreta in avtoportreta skozi zgodovino umetnosti. Posebna pozornost je namenjena umetnikom, ki so pomembno prispevali k razvoju tega žanra, med njimi Leonardu da Vinciju, Giuseppu Arcimboldu, Rembrandtu, Johannesu Vermeerju in sodobnemu fotografu Philu Langerju. Njihova dela služijo kot izhodišče za razumevanje prepletanja tradicionalnih in sodobnih pristopov k samoupodobitvi. V praktičnem delu so predstavljene lastne hibridne podobe avtoportreta, nastale med šolskim letom 2023/24 pri predmetu slikarstva ter med raziskovanjem magistrskega dela. Namen ustvarjalnega procesa je bil raziskati, kako se lahko z reinterpretacijo klasičnih del in združevanjem osebne podobe oblikuje avtentičen slikarski izraz. Zaključni del prinaša analizo ustvarjenih del ter razmislek o ustvarjalnem procesu in izzivih, ki spremljajo oblikovanje hibridnega avtoportreta v svobodnem likovnem kontekstu. The master's thesis examines the phenomenon of the (self-)portrait and the hybrid image as created by artists from the Renaissance to the present. The theoretical section defines the concepts of the hybrid image and the hybrid (self-)portrait, and explores the development and significance of portrait and self-portrait motifs throughout art history. Special attention is given to artists who made significant contributions to this genre, including Leonardo da Vinci, Giuseppe Arcimboldo, Rembrandt, Johannes Vermeer, and contemporary photographer Phil Langer. Their works provide a foundation for understanding the relationship between traditional and contemporary approaches to self-representation. The practical section presents original hybrid self-portrait images created during the 2023/24 academic year as part of painting coursework and research for the thesis. The creative process aimed to explore how authentic painterly expression can emerge through the reinterpretation of classical works and the integration of the artist’s own image. The final section analyzes the created works and reflects on the creative process and the challenges of constructing a hybrid self-portrait within the context of contemporary visual arts. hibridni avtoportret portret avtoportret slikarstvo hybrid self-portrait portrait self-portrait painting true true false M. Žižek Slovenski jezik Angleški jezik Magistrsko delo/naloga 2026-06-05 15:20:29 2026-07-31 14:39:02 2026-08-01 03:06:18 0000-00-00 00:00:00 2026 0 Maribor 0 Maribor 1 spletni vir (1 datoteka PDF (VIII, 64 str.)) 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 75.041.5(043.2) 286622467 MAG_Zizek_Mischela_2026.pdf MAG_Zizek_Mischela_2026.pdf 1 0E184190ECDCC745DED27F8B3CAC3F70 f1b694a8d2a8fd223f3d01cc3d6fe210da0bbd97976dd3323ab3edbf4e49594f 4508ea7c-60e8-11f1-938a-00155d580e34 https://dk.um.si/Dokument.php?lang=slv&id=206806 Pedagoška fakulteta 0 0 0