20.500.12556/DKUM-98440 Violinska izvajalska praksa in njena zgodovina v irski tradicionalni glasbi magistrsko delo Violin performance practice and its history in Irish traditional music Magistrsko delo obravnava izvajalsko prakso violine in njeno zgodovino v irski tradicionalni glasbi. Izhajamo iz predpostavke, da se igranje na violino v irski tradicionalni glasbi razlikuje od načina igranja na violino v zahodni klasični glasbi. Osrednji namen dela je ugotoviti, kakšna je violinska izvajalska praksa in kako se je razvijala skozi stoletja, ter predstaviti izstopajoče violiniste v tem žanru. Delo je sestavljeno iz teoretičnega in praktičnega dela. V teoretičnem delu smo s sistematično analizo literature raziskovali vlogo violine v irski tradicionalni glasbi. S pomočjo deskriptivne in komparativne metode smo povzeli različne slogovne značilnosti izvajalske prakse in našteli najpogostejše glasbene oblike, ki jih izvajajo violinisti v irski tradicionalni glasbi. Poleg tega smo uporabili zgodovinsko in literarno analizo za pregled zgodovine in razvoja violine na Irskem ter predstavili raznolike stile igranja po grofijah in izstopajočih posameznikih. V praktičnem delu smo pripravili izvedbo različnih glasbenih del in analizirali tradicionalne irske skladbe različnih glasbenih oblik. Pri analizi notnih zapisov in posnetkov irskih tradicionalnih skladb različnih glasbenih oblik smo uporabili metodo generalizacije. Analize smo ustvarili s pregledom različnih interpretacij in notnih zapisov, izpostavili pa smo najpogosteje izvajane prakse violinistov. This master's thesis examines violin performance practice and its history in Irish traditional music. The underlying premise was that violin playing in Irish traditional music differs from the way the violin is played in Western classical music. The main aim of the thesis was to determine what violin performance practice entails and how it has developed over the centuries, and to present the most prominent violinists in this genre. The thesis consists of a theoretical and a practical part. In the theoretical part, the role of the violin in Irish traditional music was examined through a systematic analysis of the available literature. Using descriptive and comparative methods, we summarised the various stylistic characteristics of performance practice and listed the most common musical forms performed by violinists in Irish traditional music. Moreover, historical and literary analysis was employed to review the historical development of the violin in Ireland and to present the diverse playing styles across counties, with notable individuals. In the practical part, performances of various musical works were prepared, and traditional Irish tunes of different musical forms were analysed. When analysing musical notations and recordings of Irish traditional pieces in various musical forms, the method of generalisation was applied. The analyses consisted of reviewing different interpretations and musical notations, while highlighting the most commonly practised techniques among violinists. violina Irska tradicionalna glasba violin Ireland traditional music true true false T. Blaznik Slovenski jezik Angleški jezik Magistrsko delo/naloga 2026-06-12 11:22:24 2026-08-04 08:57:27 2026-08-05 03:06:14 0000-00-00 00:00:00 2026 0 Maribor 0 Maribor 1 spletni vir (1 datoteka PDF (XI, 78 str.)) 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 784.41(417):780.614.332(091)(043.2) 286802179 MAG_Blaznik_Tina_2026.pdf MAG_Blaznik_Tina_2026.pdf 1 127076FE1DC68EE021C0FC1F021D9BC5 b9454eb2e9144c83919016a9f8e6bfb1a9ba65c7dcaebd4be111e07fc7d8a478 83689ce1-6641-11f1-8def-00155d580e34 https://dk.um.si/Dokument.php?lang=slv&id=207066 Pedagoška fakulteta 0 0 0