| Naslov: | An overview of selected pseudo-stereophonic techniques : B.Sc. Thesis |
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| Avtorji: | ID Perrone, Michele (Avtor)
ID Holobar, Aleš (Mentor) Več o mentorju...  |
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| Datoteke: |  UN_Perrone_Michele_2020.pdf (752,88 KB)
MD5: A11FB802DC52F915BC733006D6D7C4A5
PID: 20.500.12556/dkum/6975bc4f-658d-48e4-8549-f29af02e4a65
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| Jezik: | Angleški jezik |
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| Vrsta gradiva: | Diplomsko delo/naloga |
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| Tipologija: | 2.11 - Diplomsko delo |
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| Organizacija: | FERI - Fakulteta za elektrotehniko, računalništvo in informatiko
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| Opis: | Stereophony is a method of sound recording and sound reproduction that uses two separate audio channels, two for each process. In contrast, monophony uses only one audio channel. Stereophonic sound is thus affine, to some degree, to human binaural hearing because it can reproduce some of the ambience and localization cues that were present during the recording session. For this reason, stereophonic music recordings are generally preferred over their monophonic counterparts. To make the sound of monophonic recordings more natural, many pseudo-stereophonic techniques have been developed; these techniques process monophonic sound into stereophonic sound. In this thesis, we review in detail five such techniques, of which we implemented and tested two. Our results show that pseudo-stereophony, when applied appropriately, can create more natural nuances in monophonic recordings and can reduce listening fatigue. |
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| Ključne besede: | Pseudo-stereophony, audio processing, music |
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| Kraj izida: | Maribor |
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| Kraj izvedbe: | Maribor |
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| Založnik: | [M. Perrone] |
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| Leto izida: | 2020 |
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| Št. strani: | VIII, 58 f. |
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| PID: | 20.500.12556/DKUM-77844 |
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| UDK: | 681.84.087.7(043.2) |
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| COBISS.SI-ID: | 45038595 |
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| NUK URN: | URN:SI:UM:DK:4JZTDLJS |
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| Datum objave v DKUM: | 14.12.2020 |
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| Število ogledov: | 1399 |
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| Število prenosov: | 88 |
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| Metapodatki: |    |
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| Področja: | KTFMB - FERI
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