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Title:ANALIZA SESTAVIN V FILMSKIH PLAKATIH
Authors:ID Papež, Aljaž (Author)
ID Mumel, Damijan (Mentor) More about this mentor... New window
Files:.pdf UNI_Papez_Aljaz_2009.pdf (1,85 MB)
MD5: 57697C943BA622902C0C3C5F7F26B9A8
PID: 20.500.12556/dkum/288b8a9b-999d-469f-8eb5-5b08ad7df182
 
Language:Slovenian
Work type:Undergraduate thesis
Organization:EPF - Faculty of Business and Economics
Abstract:Želja vsakega oblikovalca je ustvariti prepoznaven plakat. Da bi mu to uspelo, mora obvladati razumevanje osebnosti, ter kako le ta osebnost zaznava. V diplomski nalogi smo teoretično obdelali interakcijski model osebnosti, Jungovo analitično psihologijo osebnosti in informacijsko ekološko razlago zaznav. Z barvami oblikovalec v plakatu ustvarja figuro, ozadje, ravnotežje, kompozicijo. Kot del kompozicije smo raziskali tudi uporabo zlatega reza. Izmerili smo uporabo osnovnih barv RGB modela v filmskih plakatih v različnih kulturah, ter dodatno analizirali izbrane plakate. Na celoten plakat ima velik vpliv tudi simbolika. Tako barv, kot tudi likov, teles, ki jih oblikovalec namenoma ali ne namenoma (podzavestno, intuitivno) vgradi v plakat. Vse to oblikovalec uporabi, da doseže učinek. Doseže pozornost množice in jo pripravi do akcije - ogleda filma, nakupa vstopnice za ogled, nakupa filmskega DVD-ja... Tako lahko skupina ljudi zbranih v marketinški oz. oblikovalski agenciji formira mit, ki služi namenu kontrole nad množico oz. ciljno skupino.
Keywords:filmski plakat, interakcijski model osebnosti, Jungova analitična psihologija, informacijsko ekološka razlaga zaznav, barve, simboli, figura, ozadje, ravnotežje, kompozicija, gestalt, zlati rez, psihološki stroj, RGB model
Place of publishing:Maribor
Publisher:[A. Papež]
Year of publishing:2009
PID:20.500.12556/DKUM-10078 New window
UDC:791
COBISS.SI-ID:9916700 New window
NUK URN:URN:SI:UM:DK:EFGAXBTU
Publication date in DKUM:15.07.2009
Views:2980
Downloads:393
Metadata:XML DC-XML DC-RDF
Categories:EPF
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Secondary language

Language:English
Title:ANALYSIS OF INGREDIENTS IN FILM POSTERS
Abstract:The desire of every designer is to create a recognisable poster. To achieve this, he has to master the understanding of the personality and its perception. This diploma paper has dealt in theory with the interaction model of personality, Jung's analytical personality psychology and the information – ecology explanation of perception. The designer creates the figure, background, balance and composition with the use of colours. As a part of the composition the paper has also dealt with the use of the golden cut. The use of the basic colours of the RGB model have been measured in movie posters in different cultures, the chosen posters have been further analysed. Symbolism has also a great impact on the poster as a whole. This includes colour as well as figures and bodies which have been built into the composition intentionally or unintentionally (subconsciously, intuitively). All this is used by the designer to achieve an effect. The attention of the public is achieved, it is made to act – to see a movie, buy a ticket for the movie, buy the DVD, etc. This is how a group of people in marketing or design agencies can form a myth which serves to control the masses, i.e. the target audience.
Keywords:Movie poster, interaction personality model, Jung's analytical psychology, the information – ecology interpretation of perception, colours, symbols, figure, background, balance, composition, gestalt, golden cut, psychology machine, RGB model


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