POT K STRUKTURAM SLIKARSKE POVRŠINE

Podjavoršek, Emilija

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Title:	POT K STRUKTURAM SLIKARSKE POVRŠINE
Authors:	ID Podjavoršek, Emilija (Author) ID PANDUR, LUDVIK (Mentor) More about this mentor...
Files:	UNI_Podjavorsek_Emilija_2009.pdf (14,75 MB) MD5: C0C241B0DD285FED55B44433EBB80B24 PID: 20.500.12556/dkum/a24a5f1d-6fe8-43ab-9a71-5895c7a64d60
Language:	Slovenian
Work type:	Undergraduate thesis
Organization:	PEF - Faculty of Education
Abstract:	Struktura slikarske površine določa razporeditev in razmerje posameznih elementov slike, katere zgradbo sestavljajo. V likovni umetnosti je struktura slikarske površine način, na katerem se gradi posamezna celota slike, formiran s povezovanjem svojih delov in pomeni tudi vidne procese pri nastanku umetniškega dela. Slikarstvo je področje likovnega ustvarjanja, ki ima za osnovo ploskev, na kateri slikar gradi kompozicijo s pomočjo barv, ploskev in linij. Slikarstvo se je skozi različna zgodovinska obdobja spreminjalo in razvijalo. V zgodovini je bila raba barve med drugim odvisna tudi od razvoja slikarskih tehnik. Izbira slikarske tehnike pa je odvisna od slikarske podlage oziroma nosilca. Skozi zgodovino slikarstva si je umetnik izbiral različne nosilce. V klasičnem slikarstvu je bil poudarek na homogenem gibanju in nadgrajevanju. S pojavom abstraktnega slikarstva pa so se umetniki v svojih pogledih veliko bolj razhajali. Vsak umetnik si je označil svoje ustvarjalno okolje, ločeno od drugih ter ustvarjal kot posameznik in raziskovalec novih poti znotraj umetnosti. V današnjem času avtorji sočasno ustvarjajo v različnih slogih. Vsak se izraža v svojem avtorskem slogu in poetiki, ki najbolj ustreza njegovemu izrazu. V zadnjih letih delujejo avtorji, pri katerih še opazimo poudarek na fizičnih lastnostih slike. Nadaljujejo likovne izkušnje in združujejo postopke različnih umetnostnih zvrsti, ter se še vedno srečujejo z neformalnimi materiali, ki pa jih obravnavajo na samosvoj, individualen način.
Keywords:	struktura slikarske površine, slikarske tehnike, abstraktno slikarstvo, umetniške smeri, slovenski likovni prostor.
Place of publishing:	Maribor
Publisher:	[E. Podjavoršek]
Year of publishing:	2009
PID:	20.500.12556/DKUM-10800
UDC:	73/76(043.2)
COBISS.SI-ID:	16972808
NUK URN:	URN:SI:UM:DK:YVDSQTIE
Publication date in DKUM:	07.07.2009
Views:	3381
Downloads:	500
Metadata:
Categories:	PEF
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Secondary language

Language:	English
Title:	THE PATH TO THE STRUCTURES OF THE PAINTING SURFACE
Abstract:	The structure of a painting surface is defined by the arrangement and proportion of individual elements of the painting which compose its structure. In fine arts the structure of the painting surface represents the manner according to which individual elements of the whole painting are constructed, formed by linking its parts, and in which visible processes in the formation of a piece of art are of significant importance. The art of painting is a sphere of artistic creativeness that uses a flat surface as a basis on which the artist constructs his composition with the help of colours, surfaces and lines. Throughout different historical periods, the art of painting has been constantly developing and changing. In history, the use of colour has always depended on the development of painting techniques. The choice of a particular artistic technique has always depended on the painting surface and the support. Throughout the history of painting, the artists have been choosing different supports In classical painting the emphasis was on homogeneous movement and upgrading, while the representatives of the abstract painting differed much more in their views of the art. Every artist defined his own creative environment, separated from the others, and dedicated himself to creating art as an individual or a researcher of new ways within art. Nowadays, authors simultaneously choose different styles to create pieces of art. Each and everyone of them choose their own styles and poetics in which they can best express themselves. In regard to authors who are present in the following years, we can still notice an emphasis on the physical characteristics of the painting. They proceed with artistic experiences and unite procedures from different artistic genres, and still use informal materials, which are treated in an independent and individual way.
Keywords:	the structure of a painting surface, painting techniques, abstract painting, art movements, Slovenian artistic field.

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