Literarni izvirnik in filmska priredba z vidika prostora in časa

Laki, Nina

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Title:	Literarni izvirnik in filmska priredba z vidika prostora in časa
Authors:	ID Laki, Nina (Author) ID Bošnjak, Blanka (Mentor) More about this mentor...
Files:	UNI_Laki_Nina_2009.pdf (549,19 KB) MD5: 2320185D2D0E041AD69BDAE6BC86FACB PID: 20.500.12556/dkum/0392c463-c0f7-4088-818b-282b49e57294
Language:	Slovenian
Work type:	Undergraduate thesis
Organization:	FF - Faculty of Arts
Abstract:	V diplomsken delu z naslovom Literarni izvirnik in filmska priredba z vidika prostora in časa je s pomočjo literarne in filmske teorije opravljena primerjava prostora in časa med poglavjem Veselo gostivanje iz romana Miška Kranjca Strici so mi povedali (1974) ter filmom Veselo gostivanje, ki je bil leta 1984 posnet po tej literarni predlogi. Diplomsko delo je razdeljeno na dva dela. V prvem delu je opravljena podrobnejša analiza stanja slovenskih celovečernih igranih filmov, ki so bili posneti po literarnih predlogah. Ta raziskovalni problem je preučen z vidika razvoja slovenske kinematografije, filmske proizvodnje na Slovenskem, načinov prenosa literarnega dela v filmsko obliko, snemanja slovenskih filmov po literarni predlogi slovenskih pisateljev, tipov razmerja med literaturo in filmom, preoblikovanja in prilagajanja literarne predloge ter povezav med literaturo in filmom. Iz sinteze najdenih podatkov izhaja, da je med vsemi slovenskimi celovečernimi igranimi filmi, v obdobju od 1948 do 2008, manj kot ena tretjina takšnih, ki so bili posneti po literarni predlogi, kar je manj, kot navajajo posamezni viri (npr. Vrdlovec, 2002, Knjiga in kino, Literatura 14/127—128). V drugem delu diplomskega dela je podan raziskovalni problem primerjave kategorij prostora in časa med poglavjem Veselo gostivanje iz romana Miška Kranjca Strici so mi povedali (1974) ter filmom Veselo gostivanje (1984), posnetim po tej literarni predlogi. Potrdijo se štiri eksplicitno postavljene hipoteze, ki predpostavljajo, da se dogajali čas v literarni predlogi in filmu ne razlikuje (ta hipoteza se potrdi le deloma), da so toponimi, ki jih uporablja pisatelj, realni ter kot taki preneseni tudi v film, da film scenografsko ohrani realnost in avtentičnost notranjega prostora iz literarne predloge ter da je dogajalni prostor v filmu in literarni predlogi izrazito dinamičen. Zaradi objektivnejšega dokazovanja hipotez, ki se nanašajo na avtentičnost prostora med romanom in filmom, je uporabljena še kvantitativna raziskovalna metoda terenskega dela. Ta zajame opazovanje in primerjanje pokrajine ter krajev med Veliko Polano in Lendavo. Panoramična perspektiva 'Gosposkega' iz literarne predloge (1974) in filma (1984) je še leta 2008 neokrnjena ter identična obema deloma (besedi in sliki). Kranjec je s svojim opisom te izjemne naravne lepote pokrajine skupaj s filmom, ki jo je vizualiziral, zaslužen za to, da občina ta del zemljišča preureja v krajinski park, v katerem bodo našle svoj prostor štorklje iz evropske vasi štorkelj (Velika Polana). Osebni intervjuji z domačini iz Velike Polane potrdijo, da so toponimi, ki jih na zemljepisni karti ni moč najti oz. preveriti, Kranjec pa jih v romanu uporablja (prav tako filmski ustvarjalci v filmu), realni in obstajajo še danes. Nekateri so se sicer spremenili, vendar pa so ostali v lokalni rabi med domačini.
Keywords:	KLJUČNE BESEDE: slovenska književnost, slovenski film, literarni in filmski ustvarjalci, literarna predloga, književni čas in prostor, filmski čas in prostor.
Place of publishing:	Maribor
Publisher:	[N. Laki]
Year of publishing:	2009
PID:	20.500.12556/DKUM-11387
UDC:	821.163.6(043.2)
COBISS.SI-ID:	17188872
NUK URN:	URN:SI:UM:DK:E8GMKSRD
Publication date in DKUM:	17.11.2009
Views:	4211
Downloads:	419
Metadata:
Categories:	FF
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Secondary language

Language:	English
Title:	Literary original and film adaption from the aspect of space and time
Abstract:	In this diploma work with the title Literary original and film adaption from the aspect of space and time a comparison of time and space between the chapters Veselo gostivanje from the Miško Kranjec’s novel Strici so mi povedali (1974) and its film adaptation Veselo gostivanje (1984) is made. The diploma work is divided into two parts. In the first part a detailed analysis of the state of Slovenian feature-length film, adapted from the literary works is made. This research problem is investigated from the view of development of Slovenian cinematography, film production in Slovenia, the ways of transfer of a written work to a feature film, making films from literary works of Slovenian writers, the types of relations between the literature and the film. The synthesis of data found shows that among Slovenian feature-length films less than a third of them are adapted from literary works, and that is less than several expert-written articles state (eg. Vrdlovec, 2002, Knjiga in kino, Literatura 14/127–128). In the second part of the diploma work the research problem of comparison of space and time between the chapter Veselo gostivanje from the Miško Kranjec’s novel Strici so mi povedali (1974) and its film adaptation Veselo gostivanje (1984) is solved. Four explicitly stated hypotheses are confirmed. The first affirms that the time in the written work and in the film does not differ. The second hypothesis states that the toponyms used are realistic and as such transferred to a film. The next hypothesis affirms that the scenography in the film keeps the reality and authenticity of the inner space of the literary work. The last hypothesis states that the space in the film and its source is explicitly dynamic. To confirm the hypotheses referring to the authenticity of the space between the novel and the film more objectively the quantitative method of the field research is used. It contains observation and comparison of the landscape and places between Velika Polana and Lendava. The panoramic perspective of “Gosposko” from the novel (1974) and the film (1984) is in 2008 still intact and identical with both parts (the word and the picture). Kranjec, who is credited for making the landscape, which was beautifully described and later visualized in the film, worthy of changing in into a national park by its municipality and giving home to stork from the European stork village (Velika Polana). Interviews with the local people from Velika Polana confirm, that toponymes which cannot be found or checked on a geographical map, but are used in Kranjec’s novel and film, are real and still existing. Some of them have changed, but are still being used among the locals.
Keywords:	KEY WORDS: Slovene literature, Slovenian film, literary and film creators, literary adaptation, literary time and space, film time and space.

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