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Title:
BARVA IN OBLIKA IN FENOMEN SUBLIMNEGA
Authors:
ID
Maglica, Duška
(
Author
)
ID
Rimele, Oto
(
Mentor
)
More about this mentor...
Files:
UNI_Maglica_Duska_2010.pdf
(7,39 MB)
MD5: C4F6380EF1DCA47AE076F3437F05A2DC
PID:
20.500.12556/dkum/35935196-b0c8-4dfb-a4ad-7d4acde68f08
Language:
Slovenian
Work type:
Undergraduate thesis
Organization:
PEF - Faculty of Education
Abstract:
Diplomsko delo Barva in oblika in fenomen sublimnega je bilo zastavljeno teoretično in dovolj široko, da lahko podane informacije in znanje uporabljamo pri vseh smereh likovnega udejstvovanja. Služi nam lahko kot pomoč pri obnavljanju znanja in hkrati odpira prostor za razmislek o odnosu barve in oblike z nekaterimi drugimi komunikacijskimi sredstvi oz. znakovnimi sistemi. Posebej je bila izpostavljena povezava med barvo in obliko z t.i. miselnimi oblikami; podobami, ki jih ljudje tvorimo kadar mislimo in čustvujemo. Pri raziskovanju zgoraj omenjane teme so bile uporabljene: deskriptivna in komparativna metoda ter metoda abstrakcije in konkretizacije.
Keywords:
Likovna teorija
,
Barva
,
Oblika
,
Sublimnost
,
Miselne oblike
Place of publishing:
Maribor
Publisher:
[D. Maglica]
Year of publishing:
2010
PID:
20.500.12556/DKUM-13455
UDC:
73/76(043.2)
COBISS.SI-ID:
17537544
NUK URN:
URN:SI:UM:DK:YPIPKYZX
Publication date in DKUM:
14.04.2010
Views:
4329
Downloads:
429
Metadata:
Categories:
PEF
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Secondary language
Language:
English
Title:
COLOUR AND FORM AND THE PHENOMENON OF THE SUBLIME
Abstract:
The approach chosen in my master thesis with the title Colour and form and the phenomenon of the sublime is theoretical and sufficiently broad to make the information and knowledge provided applicable in all branches of Fine Arts. The master thesis can help to review the knowledge and, at the same time, it opens a space for reflection on the relationship between colour and form with other means of communication or sign systems. A special emphasis was placed upon the relationship between colour and form with the so-called Thought Forms; images that we construct when we think and feel. Investigating the above concept the following methods were applied: the descriptive and comparative method as well as the method of abstraction and concretion.
Keywords:
Theory of Fine Arts
,
Colour
,
Form
,
Sublime
,
Thought Forms
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