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Title:Slog umetnostnega besedila
Authors:ID Hovnik, Breda (Author)
ID Unuk, Drago (Mentor) More about this mentor... New window
Files:.pdf UNI_Hovnik_Breda_2010.pdf (429,66 KB)
MD5: A1371AC161DC2AB07BE1740CB7A98FB7
PID: 20.500.12556/dkum/ea6632cb-2e9c-4868-a3a5-a4544390a439
 
Language:Slovenian
Work type:Undergraduate thesis
Organization:FF - Faculty of Arts
Abstract:V diplomski nalogi sem raziskovala slog umetnostnega besedila. Posebnost umetnostnih besedil se kaže v njihovi enkratni oblikovanosti, ki obstaja v posebno izbrani jezikovni sestavi besedila. Izbrana jezikovna sestava in funkcioniranje sredstev v besedilu tako prikazujejo slog besedila, ki se uresničuje kot enkratnost pojavnosti jezikovnih sredstev na vseh ravneh besedila (mikro- in makrokompoziciji). S pomočjo sondažne raziskave sem ugotovila najštevilčnejšo prisotnost samostalniške besede v neimenovalniški obliki, sledi ji glagol, kar je značilnost dinamičnega sloga. Z vertikalno analizo distribucije leksike sem prikazala pojavnost besed na posameznih mestih v besedilu in ugotovila njihovo enakovredno razporejenost. Pri analizi distribucije sklonov, kjer sem ugotavljala sosledje sklonov, sem ugotovila, da si skloni sledijo po naslednjem vrstnem redu: imenovalnik, tožilnik, mestnik, rodilnik, orodnik in dajalnik, kar približuje besedilo nevtralnemu besedilu. Ugotovila sem še, da slog v obravnavanem besedilu izraža bližino pogovornemu in splošnosporazumevalnemu jeziku, kažejo se podobnosti z esejističnim slogom, izključuje pa se podobnost z znanstvenim/strokovnim slogom. Čustvena obarvanost besedila kaže na njegovo subjektivno naravnanost. Posebnost besedila je slengovsko izrazoslovje, prevladujoči slogovni postopek pa je pripovedovanje. V diplomskem delu so uporabljene metode: deskriptivna, analitična, komparativna in primerjalna metoda, sondažna raziskava po besednih vrstah, vertikalna analiza leksikalne distribucije in mikrokompozicijska podoba oblikovnih elementov besedila. Slog umetnostnega besedila sem raziskovala na podlagi mladinskega romana Distorzija.
Keywords:umetnostno besedilo, slog, jezikovna sredstva, mikrokompozicija, makrokompozicija, slogovni postopek
Place of publishing:Maribor
Publisher:[B. Hovnik]
Year of publishing:2010
PID:20.500.12556/DKUM-13708 New window
UDC:811.163.6(043.2)
COBISS.SI-ID:17750280 New window
NUK URN:URN:SI:UM:DK:M95NRPG9
Publication date in DKUM:08.07.2010
Views:5673
Downloads:566
Metadata:XML DC-XML DC-RDF
Categories:FF
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Secondary language

Language:English
Title:Style in literary texts
Abstract:In my diploma paper I made a research of the literary text style. The special features of literary texts are presented by their unique composition and can also be seen in the carefully chosen linguistic structure of the text. That carefully chosen structure also presents the style of the text, which is presented by the unique use of linguistic features on every level of writing (micro and macro-composition). With the research I determined the noun is the most often used part of speech, followed by the verb, which is typical for a dynamic style. With vertical analysis of lexical distribution I examined how the words are placed all over the text and determined their equal distribution. After analysing case distribution the cases can be put in the following order: nominative, accusative, locative, genitive, instrumental and dative, which is typical for a neutral text. The style in the analysed text is close to the informal, everyday language, there are some similarities with the essayistic style, however, there is no reference to the scientific style of writing. The subjectivity can be noticed in the emotional aspect of the text. The text is written in narrative style. There are different methods used in my diploma paper: descriptive, analytical, comparative, probe research of the parts of speech, vertical analysis of lexical distribution and micro-compositional image of the stylistic features. The research of style in a literary text was based on a young-adult novel Distorzija.
Keywords:literary text, style, linguistic means, microcomposition, macrocomposition, style process


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