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Title:FENOMEN ORANŽNE BARVE IN LIKOVNA ARTIKULACIJA
Authors:ID Štravs, Martina (Author)
ID Rimele, Oto (Mentor) More about this mentor... New window
Files:.pdf UNI_Stravs_Martina_2010.pdf (3,33 MB)
MD5: 6555A2FB4F040DC1F033BAE28FA4925D
PID: 20.500.12556/dkum/6e5a6f24-706a-4a07-babf-0cab27d041a1
 
Language:Slovenian
Work type:Undergraduate thesis
Organization:PEF - Faculty of Education
Abstract:V zgodovini barvne teorije so si številni raziskovalci prizadevali, da bi barve razvrstili po sistemu, ki bi omogočal njihovo označevanje. Diplomskon delo z naslovom Fenomen oranžne barve in likovna artikulacija je poglobljeno delo o barvi, oranžni barvi in fenomenu medsebojnega delovanja in vplivanja dveh ali več barv. Diplomsko delo je razdeljeno na uvodni del, kjer predstavim svetlobo kot začetek vsega. Sledijo značilnosti oranžne barve, kjer pišem o fizikalnih, fizioloških, psiholoških učinkih oranžne barve. Nadaljujem z oranžno barvo v likovni teoriji, kakšne so lastnosti oranžne barve in kako se le-ta na različnih barvnih podlagah spreminja. Poleg analiziranja barv so navedeni tudi primeri reprodukcij različnih likovnih kompozicij. Umetniki, ki so uporabljali oranžno barvo, so nato obravnavani v novem poglavju. V zaključnem delu je predstavljena moja likovna izkušnja z oranžno barvo. Ustvarila sem sliko ob poslušanju skladbe skladatelja Alda Kumarja, Strastra in tako tudi poimenovala diptih, saj je njena barva oranžna.
Keywords:likovna umetnost, svetloba, barva, oranžna barva, simbolika oranžne barve, pigmenti.
Place of publishing:Maribor
Publisher:[M. Štravs]
Year of publishing:2010
PID:20.500.12556/DKUM-15758 New window
UDC:73/76(043.2)
COBISS.SI-ID:17882888 New window
NUK URN:URN:SI:UM:DK:9ROPXJV0
Publication date in DKUM:11.10.2010
Views:3807
Downloads:282
Metadata:XML DC-XML DC-RDF
Categories:PEF
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Secondary language

Language:English
Title:THE PHENOMENON OF THE ORANGE COLOUR AND FINE ART ARTICULATION
Abstract:In the history of colour theory, many researchers have endeavoured to classify colour according to the system that would allow their identification. The thesis entitled The phenomenon of orange colour and fine art articulation is detailed work on colour, colour orange, and on the phenomenon of interaction with other colours in the visual arts. The thesis is divided into an introductory part, where light is presented as the beginning of everything. There follow the characteristics of the orange colour, where we learn about the physical, physiological and psychological effects of this colour. This is proceeded by the orange colour in art theory, with major a characteristics of the orange colour and how it changes on different colour bases. In addition to the analysis of the colours, examples of reproductions of various fine art compositions are presented. Artists, who have used the colour orange, are dealt with in a new chapter. In the final part, my experience with the orange colour is presented. I made a picture while listening to the music, Strastra, composed by Aldo Kumar, and named the diptych after it, because its colour is orange.
Keywords:art, light, colour, orange colour, orange colour symbolism, pigments.


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