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Title:INTERMEDIJSKA UMETNOST KOT FENOMEN SODOBNE UMETNIŠKE PRAKSE
Authors:ID Jazbec, Maša (Author)
ID Zidar, Dušan (Mentor) More about this mentor... New window
Files:.pdf UNI_Jazbec_Masa_2010.pdf (1,69 MB)
MD5: 1E7E10D327783AF0C92EEA5A4CE76C98
PID: 20.500.12556/dkum/66aa535e-6dcc-4d05-a8b2-270b9d21b585
 
Language:Slovenian
Work type:Undergraduate thesis
Organization:PEF - Faculty of Education
Abstract:Ukvarjanje s sodobno vizualno prakso s seboj nosi nedvomno tudi družbeno odgovornost, ki je obenem tudi objekt raziskovanja sodobnih vizualnih umetnikov. V diplomski nalogi sem analizirala princip delovanja intermedijske umetniške prakse. Opisala sem povezovanje različnih znanstvenih praks kot nujnost za izvajanje produkcije intermedijskih umetniških projektov. Ravno ta povezovanja različnih znanstvenih praks pa postavljajo pred sodobnika nove dileme in vprašanja, iz katerih se rojevajo nova spoznanja in nove vede. Osrednji del diplomske naloge predstavlja razlago manifestacije kiborgov na primerih pionirskih in sodobnih intermedijskih projektih. Nujnost dokazovanja lastnega obstoja skozi evolucijo inteligentnih strojev na začetku 21. stoletja homo sapiensa vodi v dekadenco. Paradoksalno pa se osvoboditev od materialnega dogaja ravno skozi utelešenost fizisa preko materialnosti tehnologije. Svet postaja zgolj podoba virtualno zmanipuliranih informacij, ki prek očesa fascinirajo um. Podoba vizualnega sveta se je na psihološki opni spojila z ekranom. Oko tako postane senzor, ki mu novi mediji odvzamejo princip empatije in čustvene inteligence. Sodobnik postaja na pragu 21. stoletja vse bolj nedejaven, medtem ko so stroji vse bolj živi. Človek postaja vse bolj inerten. Prihaja čas živih strojev.
Keywords:Intermedijska umetnost, kiborg, interaktivnost, tehnologija, evolucija, novomedijska umetnost, manipulacija
Place of publishing:Maribor
Publisher:[M. Jazbec]
Year of publishing:2010
PID:20.500.12556/DKUM-16274 New window
UDC:73/76(043.2)
COBISS.SI-ID:17932296 New window
NUK URN:URN:SI:UM:DK:TZ6BOQCX
Publication date in DKUM:22.10.2010
Views:4937
Downloads:605
Metadata:XML DC-XML DC-RDF
Categories:PEF
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Secondary language

Language:English
Title:INTERMEDIA ART AS A PHENOMENON OF ART PRACTICE
Abstract:Dealing with contemporary visual practice carries an important social responsibility, which itself is a subject of exploration of contemporary visual artists. In my diploma I analyzed the working principles of inter-media artistic practice. I have described connections between various scientific practices which are essential for inter-media art production. These same connections of different scientific practices present new dilemmas and questions to people today from which new knowledge and new disciplines are born. Central part of diploma work is an explanation of manifestation of cyborgs on the examples of pioneer and contemporary inter-media projects. Necessity of proving our own existence trough an evolution of intelligent machines in the beginning of 21st century is leading Homo sapiens toward a decadence. Liberation from material is ironically taking place trough the embodiment of physis trough the materialness of technology. The world is becoming nothing more but an image of virtually manipulated information, which fascinate the mind trough the eye. The image of visual world is melted with the screen on the psychological cornea. The eye thus becomes a sensor, from which new media take away the principles of empathy and emotional intelligence. Contemporary people are becoming more and more passive while machines are ever more alive. Human becomes ever more inert. Time of living machines is coming.
Keywords:Inter-media art, cyborg, interactivity, technology, evolution, newmedia art, manipulation


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