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Title:OBRAZNA MIMIKA V LIKOVNI UMETNOSTI
Authors:ID Jurić, Urška (Author)
ID Varl, Petra (Mentor) More about this mentor... New window
ID Ciglenečki, Marjeta (Comentor)
Files:.pdf UNI_Juric_Urska_2010.pdf (7,84 MB)
MD5: 70FC7F9719B02FFDF5B2AFE29EACFB65
PID: 20.500.12556/dkum/b7700955-eb54-44e1-9fb8-bcce87e7122c
 
Language:Slovenian
Work type:Undergraduate thesis
Organization:PEF - Faculty of Education
Abstract:Diplomsko delo z naslovom Obrazna mimika v likovni umetnosti je sestavljeno iz teoretičnega in praktičnega dela. V teoretičnem delu je predstavljena simbolika obraza, pregled znanstvenega pristopa k obrazu in mimiki, preučevana je prisotnost ekspresivnih obraznih izrazov v likovni umetnosti od obdobja gotike do 19. st., s poudarkom na fenomenu Značajskih glav kiparja Franza Xaverja Messerschmidta, ki mu je posvečeno celotno poglavje. Praktični del zaobjema avtorska dela, zbrana pod imenom Nastop problematičnega človeka/Groteska vsakdanjosti (risbe in enostavne litografije), likovne analize le-teh, v katerih so opisane spremembe risbe na poti v enostavno litografijo ter obenem razlike v izrazu upodobljenega obraza, ki so posledica zamenjave tehnike.
Keywords:Simbolika obraza, obrazna mimika, fiziognomika, patognomija, izraz, umetnostnozgodovinska obdobja, Franz Xaver Messerschmidt, enostavna litografija, risba, psihološki učinek.
Place of publishing:Maribor
Publisher:[U. Jurić]
Year of publishing:2010
PID:20.500.12556/DKUM-17012 New window
UDC:73/76(043.2)
COBISS.SI-ID:18081032 New window
NUK URN:URN:SI:UM:DK:PQ9LZJD7
Publication date in DKUM:11.01.2011
Views:4914
Downloads:366
Metadata:XML DC-XML DC-RDF
Categories:PEF
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Secondary language

Language:English
Title:FACE MIMICS IN FINE ARTS
Abstract:The thesis work with the title Face mimics in fine arts is made of theoretical and practical part. In the theoretical part the symbolism of face and the review of scientific approach to face and mimics are presented. The presence of expressive facial miens in fine arts from the period of Gothic to 19th century is discussed. The stress is on phenomena of character heads by sculptor Franz Xaver Messerschmidt; to whom the whole chapter is dedicated. The practical part consists of authorial works, assembled under the title The Appearance of Problematical Man/The Grotesque of Everyday Life, its artistic analyses in which the changes form the drawings to simple lithography as well as the changes in the mein of the presented faces, that are the consequences of a different technique, are described.
Keywords:symbolism of face, facial mimics, physiognomy, pathogenomics, mein, periods of fine arts, Franz Xaver Messerschmidt, simple lithography, drawing, psychological effect.


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