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Title:TONE KRALJ IN POSLIKAVE CERKVA NA SLOVENSKEM PRIMORSKEM
Authors:ID Benčina, Mojca (Author)
ID Ciglenečki, Marjeta (Mentor) More about this mentor... New window
Files:.pdf UNI_Bencina_Mojca_2010.pdf (67,29 MB)
MD5: 7DF7749B60B644A1B3B3DF53963112C1
PID: 20.500.12556/dkum/81f6bcc7-49e1-470a-bda0-32adfd7a992d
 
Language:Slovenian
Work type:Undergraduate thesis
Organization:PEF - Faculty of Education
Abstract:V diplomski nalogi želim predstaviti Toneta Kralj in njegove cerkvene poslikave na slovenskem Primorskem. Tone Kralj je od začetka dvajsetih do poznih šestdesetih let na Primorskem ustvaril gigantski likovni opus, s katerim je skušal utrjevati slovensko nacionalno zavest na območju, ki je po letih 1918 pripadalo Italiji. Poslikal je več kot štirideset cerkva. Doslej še ni bil narejen sistematičen popis vseh Kraljevih poslikav na Primorskem, česar se loteva pričujoča diplomska naloga. Za okvir topografskega popisa si jemlje slovenske državne meje, v interpretaciji pa skuša naloga odpreti vprašanje stilnega razmerja obravnavanih del. Na začetku naloge na kratko predstavim Kraljevo umetniško pot, začetek cerkvenega slikarstva in takratno zgodovinsko dogajanje. V nadaljevanju obravnavana dela razdelim na tri poglavja glede na slikarjev stilni razvoj. Namen naloge je narediti sistematičen popis poslikav na slovenskem Primorskem in jih interpretirati glede na ikonografska izhodišča.
Keywords:Tone Kralj, ekspresionizem, cerkvene poslikave, slovenska Primorska, svetniki, križev pot
Place of publishing:Maribor
Publisher:[M. Benčina]
Year of publishing:2010
PID:20.500.12556/DKUM-17038 New window
UDC:73/76(043.2)
COBISS.SI-ID:18096648 New window
NUK URN:URN:SI:UM:DK:MSC77OIZ
Publication date in DKUM:18.01.2011
Views:6911
Downloads:945
Metadata:XML DC-XML DC-RDF
Categories:PEF
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Secondary language

Language:English
Title:TONE KRALJ AND HIS CHURCH PAINTINGS IN THE SLOVENIAN LITTORAL AREA
Abstract:Tone Kralj and his church paintings in the Slovenian Littoral are presented in the diploma. From the early 20s to the late 60s Tone Kralj created a gigantic atristic opus in the Littoral region with which he tried to strengthen the Slovenian national consciousness in the area which has belonged to Italy from 1918. He has painted more than fourty churches. Till now no systematic list of his paintings in the Littoral region has been made and is thus undertaken in this diploma. Slovenian national borders represent a topographical frame and the question of stylistic proportion of the discussed works is dealt with in the interpretation. At the beginning of this paper Karlj's atrictic path, the beginning of church painting and the hystorical action at that time are presented. Further, I devide the discussed works in three chapters according to the painter's stylistic development. The aim of the paper is to create a systematic list of paintings in Slovenian Littoral and to interpret them accodring to their iconographic origin.
Keywords:Tone Kralj, expressionism, church paintings, Slovenian Littoral, saints, Stations of the Cross


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