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Title:BONG JOON-HO IN SODOBNI JUŽNOKOREJSKI FILM
Authors:ID Robar, Matej (Author)
ID Zajc, Melita (Mentor) More about this mentor... New window
Files:.pdf UNI_Robar_Matej_2011.pdf (2,06 MB)
MD5: 09E991088E3A2B0A7778E7284536A2FA
PID: 20.500.12556/dkum/6ccd77b3-8726-44b7-8c20-82765c9c319e
 
Language:Slovenian
Work type:Undergraduate thesis
Organization:FERI - Faculty of Electrical Engineering and Computer Science
Abstract:Južnokorejska filmska industrija je med leti 1999 in 2005 doživela izjemen komercialni razvoj, v letih 2007 in 2008 pa se je znašla v globoki recesiji. Diplomsko delo obravnava zgodovino južnokorejske kinematografije in glavne vzroke, ki so pripeljali do njenega nezavidljivega položaja v začetku 90. let 20. stoletja. Nadalje se v delu ugotavlja, kako se je v času nove korejske kinematografije spremenila južnokorejska filmska industrija in kako južnokorejski film. Na podlagi avtorske teorije, je v diplomskem delu zajeta analiza filmov Bong Joon-hoja, enega najbolj priznanih režiserjev sodobnega južnokorejskega filma.
Keywords:nova korejska kinematografija, Bong Joon-ho, avtorska teorija, Južna Koreja, filmska zakonodaja, chaebol, korejski val
Place of publishing:Maribor
Publisher:[M. Robar]
Year of publishing:2011
PID:20.500.12556/DKUM-18458 New window
UDC:791.4(043.2)
COBISS.SI-ID:15082262 New window
NUK URN:URN:SI:UM:DK:107L3OGA
Publication date in DKUM:13.05.2011
Views:11795
Downloads:203
Metadata:XML DC-XML DC-RDF
Categories:KTFMB - FERI
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Secondary language

Language:English
Title:BONG JOON-HO AND CONTEMPORARY SOUTH KOREAN FILM
Abstract:The South Korean film industry experienced a tremendous commercial development between the years 1999 and 2005 but was in a deep recession in 2007-08. The paper examines the history of South Korean cinema and deals with the main causes that have led to the unenviable position of South Korean cinema in the early 1990s. In this work it will be determined, how the South Korean film industry and the film itself have changed during the New Korean Cinema. In the concluding analysis, based on the auteur theory, the paper examines the films of Bong Joon-ho, one of the most acclaimed directors of contemporary South Korean film.
Keywords:New Korean Cinema, Bong Joon-ho, auteur theory, South Korea, film policy, chaebol, Korean wave


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